【摘要】：韓愈的《聽穎師彈琴》一詩,在琴史以及琴樂美學思想史上,具有特殊而重要的意義。對韓愈此詩所反映的琴樂審美觀念及其真實態(tài)度的關(guān)注,就成為從音樂美學角度認識或評價其思想史價值的緣起。韓愈《送孟東野序》一文,在當音樂美學研究中被集中關(guān)注的美學觀念或命題,是"物不得其平則鳴"這樣一個論點。
[Abstract]:Han Yu's "listening to Ying Shi playing the piano" is of special and important significance in the history of Qin and the history of Qin's aesthetic thoughts. The concern for Han Yu's aesthetic concept and true attitude towards Qin music in this poem has become the origin of understanding or evaluating the historical value of his thoughts from the point of view of music aesthetics. Han Yu's "Preface to send Meng Dongye", an aesthetic concept or proposition that has been focused on in the study of music aesthetics, is an argument that "things cannot be heard even as they are".
【作者單位】： 中國音樂學院;
【分類號】：J601

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本文編號：2280478