中國銅簧把烏類樂器研究
發(fā)布時間:2018-10-18 11:13
【摘要】:把烏,作為簧振動氣鳴樂器,形制多樣,涉及多民族、多地域,是中國民族樂器研究中較為繁難的一種。筆者基于數(shù)十年的研究,提出應將"把烏"作為單簧類樂器之類別代稱,并就把烏在中國的區(qū)域、民族分布情況及其各自形制等進行了詳細的梳理與分析。
[Abstract]:Wu, as a kind of spring vibratory instrument, has a variety of forms, involving many nationalities and regions, and is a more complicated and difficult one in the study of Chinese national musical instruments. Based on several decades' research, the author puts forward that "Wu" should be regarded as the category of single-spring musical instruments, and makes a detailed analysis of the distribution of "Wu" in China's regions, ethnic groups and their shapes and so on.
【作者單位】: 云南省民族藝術研究院;
【分類號】:J632
,
本文編號:2278956
[Abstract]:Wu, as a kind of spring vibratory instrument, has a variety of forms, involving many nationalities and regions, and is a more complicated and difficult one in the study of Chinese national musical instruments. Based on several decades' research, the author puts forward that "Wu" should be regarded as the category of single-spring musical instruments, and makes a detailed analysis of the distribution of "Wu" in China's regions, ethnic groups and their shapes and so on.
【作者單位】: 云南省民族藝術研究院;
【分類號】:J632
,
本文編號:2278956
本文鏈接:http://sikaile.net/wenyilunwen/yinlelunwen/2278956.html
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