【摘要】：饒余燕先生所創(chuàng)的《音詩(shī)—驪山吟》是一部大型民族管弦樂(lè)作品,曾獲“全國(guó)第三屆音樂(lè)作品評(píng)獎(jiǎng)大賽”二等獎(jiǎng)。樂(lè)曲以考究的民族管弦樂(lè)法的創(chuàng)作思路,運(yùn)用西方交響樂(lè)創(chuàng)作技法與中國(guó)唐代傳統(tǒng)音樂(lè)曲調(diào)相結(jié)合,不僅重構(gòu)了唐代宮廷音樂(lè)景象,同時(shí)拓寬了民族管弦樂(lè)的寫(xiě)作理念。筆者就讀民族管弦樂(lè)指揮專(zhuān)業(yè),選擇以作品的指揮詮釋與解讀為主要切入點(diǎn),從作品分析與指揮解讀全面的分析這部經(jīng)典的民族管弦樂(lè)作品,了解民族管弦樂(lè)民族化與交響化完美結(jié)合的創(chuàng)作思路,并與指揮實(shí)踐相結(jié)合,幫助筆者在指揮專(zhuān)業(yè)道路得到良好的自我發(fā)展。
[Abstract]:Rao Yuyan's Psalm Lishan Yin is a large national orchestral work, which has won the second prize of the third National Music Award Competition. The composition combines the western symphonies with the traditional music of the Tang Dynasty, not only reconstructing the palace music scene of the Tang Dynasty, but also broadening the writing idea of the national orchestra. The author studied in the national orchestral conductor major, chose to take the interpretation and interpretation of the work as the main breakthrough point, from the work analysis and command interpretation of the comprehensive analysis of this classic national orchestral works, Understanding the creative ideas of the perfect combination of nationalization and symphony of national orchestral music, and combining with the practice of conducting, will help the author get a good self-development in the professional road of conducting.
【學(xué)位授予單位】：西安音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J614;J615.2

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