【摘要】：路易斯·莫羅·戈特沙爾克是19世紀最杰出的美國音樂家之一,他本人是一位優(yōu)秀的鋼琴家,肖邦曾預言他為“鋼琴之王”,柏遼茲評價他為“克服了所有技術困難的少數(shù)鋼琴家中的一位,演奏上的大膽、光彩性和獨創(chuàng)性使人聽了炫目和驚愕”;此外,戈特沙爾克也是一位“鋼琴作曲家”,創(chuàng)作了約200首鋼琴獨奏曲。他的鋼琴作品體現(xiàn)了其對多元文化的認同以及運用地域特色元素的能力,被認為是美國專業(yè)創(chuàng)作萌芽時期的代表。其中《波多黎各的回憶》是戈特沙爾克在西印第安納時期創(chuàng)作的具有代表性的作品之一。該作品創(chuàng)作于1857年,大約于1860年在德國的美因茲出版,作品中運用了較多的拉丁美洲音樂元素。本文結合各方面國內外的文獻、期刊等資料,以作曲家成長以及游歷經(jīng)歷為依托,進一步分析作品的結構及其地域性音樂元素的運用,旨在對這首作品的演奏提出參考性的建議。
[Abstract]:Louis Morrow Gottschalk was one of the greatest American musicians of the 19th century. He himself was a good pianist, and Chopin had predicted that he would be the "King of the Piano." Berlioz described him as "one of the few pianists who had overcome all the technical difficulties, and the audacity, brilliance and originality of his performance were dazzling and astounding;" in addition, Gottschalk was also a "piano composer," Wrote about 200 piano solos. His piano works embody his recognition of multiculturalism and his ability to use regional characteristics, and are regarded as the representatives of the embryonic period of American professional creation. Memory of Puerto Rico is one of Gottschalk's representative works in West Indiana. It was created in 1857 and published in Mainz, Germany, around 1860, using more Latin American musical elements. This paper, based on the literature, periodicals and other materials from home and abroad, further analyzes the structure of the works and the application of regional musical elements based on the growing up and traveling experience of composers. The purpose of this work is to give some suggestions for the performance of this piece.
【學位授予單位】：武漢音樂學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J624.1

【參考文獻】

相關碩士學位論文 前1條

1 郝佳怡;戈特沙爾克鋼琴作品浪漫主義和民族性風格特征研究[D];華東師范大學;2015年

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本文編號：2272266