【摘要】：表現(xiàn)主義是20世紀(jì)初源于北歐的一場(chǎng)藝術(shù)運(yùn)動(dòng),首先出現(xiàn)在美術(shù)界,后來在音樂、文學(xué)、戲劇及電影領(lǐng)域得到重大發(fā)展。作為一種思潮,它反映了特定歷史階段下的政治、經(jīng)濟(jì)、文化和社會(huì)生活背景,且影響深遠(yuǎn)。且表現(xiàn)主義時(shí)期的視聽藝術(shù)有著高度一致的美學(xué)追求,相似的表現(xiàn)形式。特別是在當(dāng)時(shí)的社會(huì)背景與美學(xué)思潮的影響下,互相學(xué)習(xí)、交融發(fā)展。音樂理論中對(duì)于視聽藝術(shù)聯(lián)覺的研究開始從美學(xué)角度研究轉(zhuǎn)向深層結(jié)構(gòu)上的對(duì)應(yīng)研究�？梢哉f,表現(xiàn)主義潮流為藝術(shù)的多元化發(fā)展發(fā)揮了重要影響�？刀ㄋ够c勛伯格是表現(xiàn)主義潮流中視聽藝術(shù)的代表人物,二人之間有著極其相似的美學(xué)追求與創(chuàng)作理念,并且都在視聽藝術(shù)交融方面做過很多的嘗試。表現(xiàn)主義思潮有一大特點(diǎn),就是藝術(shù)家身份的多重性,這也是這一時(shí)期各個(gè)藝術(shù)之間互動(dòng)頻繁的原因之一。勛伯格的主要身份是作曲家但同時(shí)也是一名畫家;康定斯基的主要身份是畫家,學(xué)識(shí)淵博且精通音律。1910年勛伯格在維也納舉辦畫展時(shí)與康定斯基結(jié)緣,應(yīng)邀加入以康定斯基為主要代表人物的表現(xiàn)主義社團(tuán)“藍(lán)騎士社”。期間他們互相合作、相互影響,對(duì)于表現(xiàn)主義潮流的興起影響深遠(yuǎn)。本文側(cè)重比較勛伯格與康定斯基在藝術(shù)中的創(chuàng)作理念與創(chuàng)作思維,對(duì)其音樂創(chuàng)作的影響。
[Abstract]:Expressionism is an art movement that originated in Northern Europe in the early 20th century. It first appeared in the field of fine arts and then developed greatly in the fields of music, literature, drama and film. As a trend of thought, it reflects the political, economic, cultural and social background of a particular historical stage, and has far-reaching influence. And the expressionist period of audio-visual art has a highly consistent aesthetic pursuit, similar forms of expression. Especially under the influence of social background and aesthetic trend of thought at that time, learning from each other and blending development. The research on synesthesia of audiovisual art in music theory began to shift from aesthetic point of view to corresponding study on deep structure. It can be said that the trend of expressionism has played an important role in the diversified development of art. Kandinsky and Schoenberg are representatives of audio-visual art in the expressionist trend. They have very similar aesthetic pursuits and creative ideas, and both have made many attempts in the blending of audio-visual art. Expressionism is characterized by the multiplicity of artists' identities, which is one of the reasons for the frequent interaction between various arts in this period. Schoenberg was a composer but also a painter; Kandinsky was a painter, knowledgeable and proficient in rhythm. Schoenberg was associated with Kandinsky at the Vienna Exhibition in 1910. Invited to join the Expressionist Society with Kandinsky as the main representative, the Blue Knight Society. During this period, they cooperated and influenced each other, which had a profound influence on the emergence of expressionism. This paper focuses on Schoenberg and Kandinsky's creative ideas and creative thinking in art, and their influence on their music creation.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J614

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