【摘要】：揚琴在越南又稱三十六弦琴,是越南傳統(tǒng)樂隊中不可或缺的一件樂器。當今,每件傳統(tǒng)樂器都需要找到自己的發(fā)展之路,要與現代生活融合,越南三十六弦琴也不列外。當越南三十六弦琴還沒找到適合自己的一條路時,中國揚琴已發(fā)展得很全面。筆者來自越南,對中國揚琴的演奏技術非常感興趣和佩服。因此想在本文研究中國揚琴的演奏技術,尋找使中國揚琴藝術很受歡迎的原因。筆者通過比較和分析越南三十六弦琴及中國揚琴的演奏技法,發(fā)現越南三十六弦琴與中國揚琴有些相似之處,但也有不同之處。產生演奏技巧不同的很大原因是因為琴體結構,音階排列及音域。通過研究該論題,筆者認為越南三十六弦琴的發(fā)展方向完全可以借鑒中國揚琴的發(fā)展之路。此外,越南三十六弦琴的愛好者、研究者要通過為三十六弦琴創(chuàng)作、研究及廣泛教學,才能使它走進新的發(fā)展階段。
[Abstract]:The yangqin, also known as the 36 string piano in Vietnam, is an indispensable instrument in Vietnamese traditional bands. Today, every traditional instrument needs to find its own way of development, to integrate with modern life, Vietnam 36 strings are not listed. By the time Vietnam's 36 harp had not found its way, the Chinese dulcimer had developed well. From Vietnam, I am very interested in and admire the Chinese dulcimer playing technique. Therefore, I want to study the performance technology of Chinese yangqin in this paper, and find out the reasons why the art of Chinese yangqin is very popular. By comparing and analyzing the playing techniques of the Vietnamese 36 string piano and the Chinese yangqin, the author finds that the Vietnamese 36 string piano has some similarities with the Chinese yangqin, but there are also some differences. Great differences in performance skills are due to the body structure, scale arrangement, and range. By studying this topic, the author thinks that the development direction of Vietnam 36 harp can draw lessons from the development road of Chinese yangqin. In addition, Vietnamese 36 harp lovers, researchers have to create for 36 string piano, research and extensive teaching, in order to enable it to enter a new stage of development.
【學位授予單位】：上海音樂學院
【學位級別】：碩士
【學位授予年份】：2016
【分類號】：J633.33;J632.51
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本文編號：2238179