發(fā)布時(shí)間：2018-09-11 16:41

【摘要】：瓊瑤,臺(tái)灣小說(shuō)家、編劇、詩(shī)人、詞作家。她從上世紀(jì)六十年代就開(kāi)始創(chuàng)作歌詞,直到今天依然筆耕不輟,共寫下歌詞近三百首,許多歌詞例如《在水一方》、《一簾幽夢(mèng)》、《煙雨蒙蒙》、《我是一片云》、《婉君》、《當(dāng)》等等經(jīng)譜曲后在華語(yǔ)屆廣泛傳唱,成為幾代人的共同記憶。她創(chuàng)作的歌詞深受古典詩(shī)詞的影響,同時(shí)又巧妙融合了自己獨(dú)特的生命體驗(yàn),歌詞語(yǔ)言既通俗易懂又不失清新雅致,歌詞情感既纏綿熱烈又不庸俗濫情,歌詞節(jié)奏既靈動(dòng)活潑又嚴(yán)謹(jǐn)整齊,歌詞內(nèi)容既與古典詩(shī)詞相呼應(yīng)又與現(xiàn)代生活合拍,具有極高的審美價(jià)值。然而,學(xué)術(shù)界對(duì)于瓊瑤歌詞的研究并不充分。雖然已有學(xué)者發(fā)現(xiàn)瓊瑤的歌詞創(chuàng)作受古典詩(shī)詞的影響頗深,但是對(duì)于為何受古典詩(shī)詞的影響、在哪些方面受影響等問(wèn)題的探究并不深入,而這些問(wèn)題正是本文論述的重點(diǎn)。在緒論部分對(duì)瓊瑤為何進(jìn)行歌詞創(chuàng)作,歌詞與她的小說(shuō)、影視劇、詩(shī)歌的關(guān)系,她歌詞創(chuàng)作的大致情況和研究現(xiàn)狀做了介紹。第一章則主要分析了瓊瑤歌詞創(chuàng)作受古典詩(shī)詞影響的原因:她生長(zhǎng)在古典文化氣息濃郁的書香世家,從小就接受古典詩(shī)詞的啟蒙和熏陶,對(duì)古典詩(shī)詞十分喜愛(ài),對(duì)許多詩(shī)詞都熟爛于心、運(yùn)用自如,古典詩(shī)詞對(duì)她的影響可以說(shuō)是十分深遠(yuǎn)的。而第二章和第三章則分別從情思和詩(shī)藝兩方面闡釋古典詩(shī)詞對(duì)瓊瑤歌詞創(chuàng)作的影響:她繼承了古典詩(shī)詞對(duì)愛(ài)情、孤獨(dú)、漂泊、離別等方面情感的吟詠,借助古典詩(shī)詞中頻頻出現(xiàn)的意象,如花、月、云、煙雨等等,融合進(jìn)去自身的理解和人生感悟,學(xué)習(xí)古典詩(shī)詞靈活巧妙而又不失嚴(yán)密的節(jié)奏藝術(shù),使得歌詞不論是內(nèi)在意境還是外在節(jié)奏,都顯露出鮮明的古典詩(shī)詞色彩。
[Abstract]:Qiong Yao, Taiwan novelist, screenwriter, poet, ci writer. She began to write lyrics in the 1960s, and still writes down nearly 300 lyrics today. Many lyrics, such as "on the Water side", "A Shayou Dream", "smoke and Rain", "I am a Cloud", "Wanjun", "when" and so on, are widely sung in the Chinese language after composing, and become the common memory of several generations. Her lyrics are deeply influenced by classical poetry, and at the same time they are skillfully integrated with her own unique life experience. The lyrics are both easy to understand and fresh and elegant, and the lyrics are passionate and unvulgar. The rhythm of lyrics is lively and neat, and the content of lyrics is not only in harmony with classical poetry but also with modern life, so it has a high aesthetic value. However, the academic research on Qiong Yao lyrics is not sufficient. Although some scholars have found that Qiong Yao's lyric creation is deeply influenced by classical poetry, the research on why and in what aspects are not deep, and these questions are the focus of this paper. In the introduction part, the author introduces Qiong Yao's lyric creation, the relationship between lyrics and her novels, movies and TV dramas, poetry, the general situation of her lyric creation and the present situation of her research. The first chapter mainly analyzes the reasons why Qiong Yao's lyric creation is influenced by classical poetry: she grew up in a classical cultural family, received the enlightenment and edification of classical poetry from an early age, and loved classical poetry very much. Many poems are familiar with the heart, the use of free, classical poetry on her influence can be said to be very profound. The second and third chapters explain the influence of classical poetry on Qiong Yao's lyrics from two aspects of love and poetry: she inherits the emotional chanting of love, loneliness, drift, parting and so on. With the help of the images that frequently appear in classical poetry, such as flowers, moon, clouds, smoke and rain, and so on, they blend in their own understanding and understanding of life, and learn the flexible, ingenious, yet rigorous rhythmic art of classical poetry. So that the lyrics, whether internal artistic conception or external rhythm, all show a distinct color of classical poetry.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J614.9

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 童龍超;;音樂(lè)性怎樣成為詩(shī)歌的屬性——從詩(shī)樂(lè)關(guān)系對(duì)詩(shī)歌音樂(lè)性的新探[J];山西大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2016年01期

2 謝建華;;瓊瑤電視劇及其在中國(guó)內(nèi)地的傳播[J];中國(guó)電視;2013年11期

3 于春莉;;把根留住——傳統(tǒng)文化影響下的黃，

本文編號(hào)：2237246