【摘要】：冀東鼓吹樂(lè)以撫寧和唐山地區(qū)最為集中和著名。本文以撫寧地區(qū)的鼓吹樂(lè)作為研究對(duì)象,對(duì)撫寧鼓吹樂(lè)進(jìn)行了集中、深入地論述。論文第一章是對(duì)撫寧鼓吹樂(lè)的歷史和代表人物以及樂(lè)器形制、樂(lè)隊(duì)形式的概述。第二章是從撫寧鼓吹樂(lè)曲牌的歷史記載以及與其它地區(qū)曲牌的“同宗”關(guān)系來(lái)對(duì)曲牌的流變進(jìn)行研究。第三章是對(duì)撫寧地區(qū)的母曲與其衍生的演奏曲之間的關(guān)系,以及撫寧鼓吹樂(lè)樂(lè)曲旋律發(fā)展手法的分析、總結(jié)。第四章是在撫寧鼓吹樂(lè)大牌子曲、漢吹曲、秧歌曲中各選一首曲目對(duì)整首樂(lè)曲進(jìn)行音樂(lè)分析。撫寧鼓吹樂(lè)曾是撫寧人民群眾文藝生活的重要組成部分,如今他的傳承與發(fā)展也面臨諸多困擾,第五章通過(guò)輝煌時(shí)期的撫寧鼓吹樂(lè)與如今鼓吹樂(lè)在民俗文化以及人民生活中所占的地位,揭示了這一問(wèn)題,分析了其中的原因;也對(duì)政府的保護(hù)措施以及非遺傳承人及其他相關(guān)人士為撫寧鼓吹樂(lè)所做的努力予以介紹和肯定。整篇論文中樂(lè)曲的音樂(lè)本體分析是重點(diǎn),通過(guò)對(duì)撫寧鼓吹樂(lè)各類樂(lè)曲的母曲和演奏曲的音樂(lè)分析,明確了母曲與演奏曲之間的聯(lián)系,以及演奏曲內(nèi)部的音樂(lè)結(jié)構(gòu)、旋律發(fā)展手法、調(diào)式調(diào)性,慣用的演奏手法,從而對(duì)其風(fēng)格特征有了較全面的把握。撫寧鼓吹樂(lè)的樂(lè)曲特點(diǎn)同我國(guó)傳統(tǒng)音樂(lè)大部分樂(lè)曲一樣,具有很深厚的文化根基和很強(qiáng)的傳統(tǒng)思維特點(diǎn),如“一曲多用”現(xiàn)象,曲牌的連接規(guī)律,以及散節(jié)拍、即興性這些不定量的自由意識(shí),都在撫寧鼓吹樂(lè)中突出的體現(xiàn)出來(lái),也在文章中結(jié)合樂(lè)曲做了具體的分析介紹。
[Abstract]:Jidong preaching music to Funing and Tangshan area the most concentrated and famous. This paper focuses on the advocacy music in Funing area and discusses it in depth. The first chapter is an overview of Funing's history and representative figures as well as the form and form of musical instruments. The second chapter studies the evolution of tunes from the historical records of Funing trumpeting music cards and the "homogenous" relationship with other regions. The third chapter is the analysis and summary of the relationship between the motif of Funing and its derivative melodies, as well as the melodic development of Funing preaching music. The fourth chapter is the music analysis of the whole music in Funing trumpeting music, Han music, Yangge song. Funing advocated music as an important part of the literary and artistic life of the people in Funing. Now his inheritance and development also face many difficulties. The fifth chapter reveals this problem and analyzes the reasons through the glorious period of Funing advocating music and the status of advocating music in folk culture and people's life. It also introduces and affirms the government's protective measures and the efforts made by non-inheritors and other related people to advocate music for Funing. The music Noumenon analysis of the whole thesis is the emphasis. Through the music analysis of the mother music and the playing music of all kinds of music advocated by Funing, this paper clarifies the relationship between the master music and the playing music, and the music structure inside the playing music. Melodic development, tonality, traditional playing techniques, thus has a more comprehensive grasp of the characteristics of its style. Like most of the traditional music of our country, Funing has the same characteristics as most of the traditional music. It has a very deep cultural foundation and strong characteristics of traditional thinking, such as the phenomenon of "one song with multiple uses", the law of connecting cards, and the scattered beat. Improvisation of these unquantitative awareness of freedom, are prominent in Funing advocacy music, but also in the article combined with the music to make a specific analysis of the introduction.
【學(xué)位授予單位】：天津音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J632.1

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本文編號(hào)：2235750