中國古典風(fēng)流行歌曲表現(xiàn)形態(tài)與審美特征研究
發(fā)布時間：2018-09-10 14:00
【摘要】：古典風(fēng)流行歌曲是一種體現(xiàn)了我國傳統(tǒng)文化底蘊和審美的流行歌曲。具體來說就是以中國文化為創(chuàng)作背景,并將現(xiàn)代節(jié)奏與懷舊的中國背景相結(jié)合,在創(chuàng)作手法和題材上帶有古典風(fēng)格,在唱法、樂器和編曲技巧中融合中國傳統(tǒng)民族音樂元素,歌詞融入中國古典文化元素且具有中國文化內(nèi)涵,并致力于體現(xiàn)中國傳統(tǒng)文化精髓和魅力的一種歌曲風(fēng)格。從20世紀(jì)80年代發(fā)展至今,古典風(fēng)流行歌曲已然蔚然成風(fēng),它不僅彌補了流行文化中的民族傳統(tǒng)缺失,還促進(jìn)了民族意識的覺醒和族群內(nèi)部文化的認(rèn)同,是一種深受兩岸三地聽眾喜愛和追捧的流行歌曲風(fēng)格�！肮诺滹L(fēng)”作為中國特有的流行歌曲風(fēng)格,擁有著與眾不同的中國古典氣質(zhì)。從歌詞內(nèi)容來說,因受到中國古典文化的影響,古典風(fēng)流行歌曲的文化主題不再局限于“愛情”和“懷舊”,歌詞表述也不再淺俗蒼白,相較于其他風(fēng)格的流行歌曲,“古典風(fēng)”的內(nèi)容更有了一種“歷史感”、“文化感”,而這種獨特的審美感受就彰顯了古典風(fēng)流行歌曲與眾不同的古典藝術(shù)品位;從音樂形式來說,古典風(fēng)流行歌曲在旋律、唱腔、配器方面大量引用和借鑒中國傳統(tǒng)音樂元素,這些傳統(tǒng)音樂元素為古典風(fēng)流行歌曲塑造出輕靈淡雅、古典優(yōu)美的意境,不但加深了作品本身的美,更凸顯出了作品的民族文化特色。在各種文化碰撞激烈的21世紀(jì),古典風(fēng)流行歌曲以其復(fù)古的創(chuàng)作手法、懷舊的心理機制、尚雅的審美心態(tài)為流行歌曲生態(tài)帶來了嶄新的面貌。它通過古典文明文化的傾力呈現(xiàn)、民族形態(tài)意識的不斷推進(jìn),滿足了當(dāng)代人的心理需要、緩解了當(dāng)代人的時代陣痛。作為一種大眾流行文化,古典風(fēng)流行歌曲卻有著“大雅”的審美情懷,不僅契合了中國古典美學(xué)所推崇的“樂而不淫,哀而不傷”的審美準(zhǔn)則,還反映出了中國古典美學(xué)追求人與自然的和諧統(tǒng)一以及“以物觀物”、“以我觀物”的哲學(xué)認(rèn)知方式。最后,古典風(fēng)流行歌曲的盛行也體現(xiàn)了作為漢民族的原型文化心理結(jié)構(gòu),懷舊已經(jīng)在以無意識的方式規(guī)范著整個民族的道德倫理認(rèn)同和文化認(rèn)同,并且維系著整個時代的精神家園建設(shè)和尋根文化的堅實腳步。
[Abstract]:Classical wind pop song is a pop song which embodies the traditional culture and aesthetics of our country. Specifically, it takes Chinese culture as the background of creation, and combines modern rhythm with nostalgic Chinese background, with classical style in creation technique and subject matter, and integration of elements of traditional Chinese folk music in singing, musical instruments and choreography skills. The lyrics are integrated into the elements of Chinese classical culture and have the connotation of Chinese culture, and they are devoted to embodying the essence and charm of Chinese traditional culture. Since the 1980s, classical pop songs have become popular, which not only make up for the lack of national tradition in popular culture, but also promote the awakening of national consciousness and the identification of ethnic groups' internal culture. It is a popular song style that is loved and sought after by the audience of the two sides of the Taiwan Strait. As a unique pop song style in China, Classical Wind has a distinctive Chinese classical temperament. In terms of lyrics, because of the influence of Chinese classical culture, the cultural themes of classical pop songs are no longer confined to "love" and "nostalgia", and the lyrics are no longer vulgar and pale, compared with popular songs of other styles. The contents of "Classical Wind" have a sense of history and a sense of culture, and this unique aesthetic feeling shows the unique taste of classical art in classical pop songs. In terms of music form, classical wind pop songs are in the melody. In singing and orchestration, a large number of Chinese traditional musical elements have been cited and used for reference. These traditional musical elements have created a light, elegant and classical artistic conception for classical pop songs, which not only deepens the beauty of the work itself, It also highlights the national cultural characteristics of the works. In the 21st century when all kinds of cultures collide with each other, classical pop songs bring a new look to the ecology of pop songs with their retro writing techniques, nostalgic psychological mechanism and elegant aesthetic mentality. Through the presentation of classical civilization and culture, and the continuous promotion of national consciousness, it meets the psychological needs of contemporary people and alleviates the pains of the times of contemporary people. As a popular culture, classical pop songs have the aesthetic feelings of "great elegance", which not only accord with the aesthetic criterion of "pleasure but not harlotry, sorrow but not injury", which is respected by Chinese classical aesthetics. It also reflects the pursuit of harmony and unity between man and nature in Chinese classical aesthetics, and the philosophical cognition of "viewing things by things" and "viewing things by oneself". Finally, the prevalence of classical pop songs also reflects the psychological structure of the prototype culture of the Han nationality. Nostalgia has already regulated the moral and ethical identity and cultural identity of the whole nation in an unconscious way. And maintain the spirit of the entire era of the construction of homeland and root-seeking culture solid steps.
【學(xué)位授予單位】：湖南科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J605
[Abstract]:Classical wind pop song is a pop song which embodies the traditional culture and aesthetics of our country. Specifically, it takes Chinese culture as the background of creation, and combines modern rhythm with nostalgic Chinese background, with classical style in creation technique and subject matter, and integration of elements of traditional Chinese folk music in singing, musical instruments and choreography skills. The lyrics are integrated into the elements of Chinese classical culture and have the connotation of Chinese culture, and they are devoted to embodying the essence and charm of Chinese traditional culture. Since the 1980s, classical pop songs have become popular, which not only make up for the lack of national tradition in popular culture, but also promote the awakening of national consciousness and the identification of ethnic groups' internal culture. It is a popular song style that is loved and sought after by the audience of the two sides of the Taiwan Strait. As a unique pop song style in China, Classical Wind has a distinctive Chinese classical temperament. In terms of lyrics, because of the influence of Chinese classical culture, the cultural themes of classical pop songs are no longer confined to "love" and "nostalgia", and the lyrics are no longer vulgar and pale, compared with popular songs of other styles. The contents of "Classical Wind" have a sense of history and a sense of culture, and this unique aesthetic feeling shows the unique taste of classical art in classical pop songs. In terms of music form, classical wind pop songs are in the melody. In singing and orchestration, a large number of Chinese traditional musical elements have been cited and used for reference. These traditional musical elements have created a light, elegant and classical artistic conception for classical pop songs, which not only deepens the beauty of the work itself, It also highlights the national cultural characteristics of the works. In the 21st century when all kinds of cultures collide with each other, classical pop songs bring a new look to the ecology of pop songs with their retro writing techniques, nostalgic psychological mechanism and elegant aesthetic mentality. Through the presentation of classical civilization and culture, and the continuous promotion of national consciousness, it meets the psychological needs of contemporary people and alleviates the pains of the times of contemporary people. As a popular culture, classical pop songs have the aesthetic feelings of "great elegance", which not only accord with the aesthetic criterion of "pleasure but not harlotry, sorrow but not injury", which is respected by Chinese classical aesthetics. It also reflects the pursuit of harmony and unity between man and nature in Chinese classical aesthetics, and the philosophical cognition of "viewing things by things" and "viewing things by oneself". Finally, the prevalence of classical pop songs also reflects the psychological structure of the prototype culture of the Han nationality. Nostalgia has already regulated the moral and ethical identity and cultural identity of the whole nation in an unconscious way. And maintain the spirit of the entire era of the construction of homeland and root-seeking culture solid steps.
【學(xué)位授予單位】：湖南科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J605
【相似文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前8條
1 鄧鑰瓊;中國古典風(fēng)流行歌曲表現(xiàn)形態(tài)與審美特征研究[D];湖南科技大學(xué);2017年
2 劉sコ，
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