【摘要】：文章是對叫賣調(diào)存續(xù)的音樂解讀。回歸音樂本體,運用中國傳統(tǒng)音樂形態(tài)分析方法,解讀這些符號的抽象、留存乃至變化的方式:從音樂片斷發(fā)展至民歌雛形,進(jìn)而隨著留存中藝術(shù)性的提升,顯示出逐步成熟完善的藝術(shù)外形。從時間要素、音高要素、邏輯要素三方面闡釋原生型叫賣逐漸被藝術(shù)化的過程,比較分析了原生型叫賣調(diào)和衍生型叫賣調(diào)的形態(tài)特征,提出了叫賣調(diào)音樂符號的重構(gòu)規(guī)律。
[Abstract]:The article is a musical interpretation of the existence of hawking. Returning to music Noumenon, using Chinese traditional music form analysis method, to interpret the abstract, retaining and even changing ways of these symbols: from music fragments to folk songs embryonic form, and then with the improvement of artistry in retention, Show a gradual maturity of the art shape. From three aspects of time factor, pitch factor and logic factor, this paper explains the process of gradual artistry of primary hawking, compares and analyzes the morphological characteristics of original hawking and derivative hawking, and puts forward the law of reconstructing the musical symbol of hawking tone.
【作者單位】： 上海音樂學(xué)院;
【基金】：上海市“2015藝術(shù)科學(xué)規(guī)劃項目”資助,項目編號:31518C
【分類號】：J605
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本文編號：2232402