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羅西尼藝術(shù)歌曲初探

發(fā)布時(shí)間:2018-09-07 11:22
【摘要】:羅西尼所創(chuàng)作出來的藝術(shù)歌曲情感真摯、旋律優(yōu)美,和聲的應(yīng)用十分簡單明了且富有一定變化,而且有特殊的傳承價(jià)值及藝術(shù)魅力。這些藝術(shù)歌曲不但是良好的聲樂教材,而且還是適用于各類音樂會(huì)的作品,對聲樂學(xué)習(xí)者提升音樂修養(yǎng)及演唱水準(zhǔn)具有十分關(guān)鍵的作用。本次論文的第一部分,簡單回顧了羅西尼的一生后,主要闡述羅西尼創(chuàng)作藝術(shù)歌曲的基本情況。其一,對羅西尼創(chuàng)作藝術(shù)歌曲的背景進(jìn)行分析。其二,依據(jù)創(chuàng)作時(shí)間與風(fēng)格特點(diǎn)將羅西尼所創(chuàng)作的藝術(shù)歌曲劃分為三個(gè)主要階段:即早期、19世紀(jì)30至40年代以及19世紀(jì)50至60年代創(chuàng)作的藝術(shù)歌曲。舉例說明每個(gè)創(chuàng)作階段的主要作品同時(shí)對其風(fēng)格特點(diǎn)進(jìn)行分析與歸納;本文的第二部分,從風(fēng)格所具有的多元性、曲式結(jié)構(gòu)所具有的經(jīng)典型、音樂所具有的戲劇性、詩詞所具有特征及鋼琴伴奏這幾個(gè)方面出發(fā)對羅西尼藝術(shù)歌曲的創(chuàng)作特點(diǎn)進(jìn)行分析;本文的第三部分,選取四首人們所熟悉的歌曲,即《譴責(zé)》、《邀請》、《離別》及《諾言》,從音樂大體與演唱詮釋、詩文結(jié)構(gòu)與詩律分析這兩個(gè)不同方面出發(fā)對羅西尼藝術(shù)歌曲的演唱風(fēng)格進(jìn)行分析及闡述,通過以上這四個(gè)部分對羅西尼所創(chuàng)作的藝術(shù)歌曲進(jìn)行全面的研究。在演唱的過程當(dāng)中,作者完全被羅西尼創(chuàng)作的藝術(shù)歌曲所具有的藝術(shù)魅力深深吸引,這也正是將羅西尼藝術(shù)歌曲作為重點(diǎn)研究對象的主要原因。希望通過本次研究,能夠?qū)V大聲樂學(xué)習(xí)者精準(zhǔn)掌握羅西尼藝術(shù)歌曲的演唱風(fēng)格及創(chuàng)作特點(diǎn)起到一定的促進(jìn)作用。能夠在聲樂教學(xué)中全面發(fā)揮出羅西尼藝術(shù)歌曲的內(nèi)在價(jià)值。
[Abstract]:The artistic songs created by Rossini are sincere in emotion, beautiful in melody, simple and clear in application and rich in certain changes, and have special inheritance value and artistic charm. These art songs are not only good teaching materials for vocal music, but also suitable for all kinds of concert works. In the first part of this thesis, the author briefly reviews Rosini's life, mainly expounds the basic situation of Rosini's artistic songs. First, the background of Rossini's creation of art songs is analyzed. Secondly, according to the characteristics of creation time and style, Rosini's artistic songs are divided into three main stages: the early 1830s to 1940s and the 1850s to 1960s. The second part of this paper, from the diversity of style, the classical style of musical structure, the dramatic nature of music, the main works in each stage of creation are analyzed and summarized at the same time, the second part of this paper is based on the diversity of style, the classical style of musical form, and the drama of music. The characteristics of poetry and piano accompaniment are analyzed. In the third part, four familiar songs are selected. In other words, condemnation, invitation, parting and promise, this paper analyzes and expounds the singing style of Rosini's artistic songs from the aspects of music and singing interpretation, poetic structure and poetry and law analysis. Through the above four parts of the art of Rosini's creation of a comprehensive study. In the process of singing, the author is totally attracted by the artistic charm of Rosini's artistic songs, which is the main reason why Rosini's art songs are regarded as the key research objects. It is hoped that this study will promote the vocal music learners to master the singing style and creative characteristics of Rosini's art songs. Can give full play to the inner value of Rosini's art songs in vocal music teaching.
【學(xué)位授予單位】:西北民族大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:J614;J616

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 孫會(huì)玲;;朗誦調(diào)——舒伯特藝術(shù)歌曲戲劇性的表現(xiàn)手法探析[J];中國音樂學(xué);2010年02期

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本文編號:2228115

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