貝多芬的兩樂章鋼琴奏鳴曲研究
[Abstract]:Piano sonata is an important genre in the field of classical composers' creation. Beethoven's 32 piano sonatas are the most important in sonata literature and are praised as the New Testament in the history of western music. For classical composers, sonatas are a three-to-four-movement ensemble. Mozart's piano sonatas generally have three movements, while Beethoven's 32 piano sonatas are irregular in number. His early three piano sonatas all have four movements, rather than the usual three, including the composer's study and challenge of Haydn's creative techniques. Most of his sonatas are composed of three or four movements, six of which are composed of only two movements. They are Piano Sonata No. 19 (Op.49 No.1), Piano Sonata No. 20 (Op.49 No.2), Piano Sonata No. 22 (Op.54), Piano Sonata No. 24 (Op.78), Piano Sonata No. 27 (Op.90) and Piano Sonata No. 32 (Op.111). The study of Beethoven's piano sonatas in two movements contains two-way efforts: on the one hand, the sonata of the two movements is placed in the perspective of the overall development of the sonata, and the unique track of the development of the sonata is found; On the other hand, by exploring the piano sonata of Beethoven's two movements, the aesthetic meaning of unity of opposites is found. Based on this, the author intends to set up the framework of the exposition highlights, the full text of the discussion is divided into two parts.
【學(xué)位授予單位】:南京師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:J624.1
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