發(fā)布時間：2018-09-04 11:29

【摘要】：《第一鋼琴協(xié)奏曲》(1796)是貝多芬協(xié)奏曲創(chuàng)作的開創(chuàng)作品,是他早期創(chuàng)作的代表作品。本論文以力度的控制、速度的控制、踏板的運用、八度的彈奏方法等為內(nèi)容,研究貝多芬《第一鋼琴協(xié)奏曲》(第一樂章)的演奏技巧。貝多芬《第一鋼琴協(xié)奏曲》(第一樂章)的演奏技巧如下四個方面的特點:第一,快速跑動中強弱對比的觸鍵應從肩膀—經(jīng)過手腕—到手指的順序,放松彈奏每一個音。每小節(jié)的開始音為關(guān)鍵音,重心放在關(guān)鍵音的手指上,用飽滿的力量來支撐頭音,剩下的三個音要貼鍵彈奏,手臂要用往外推或者往內(nèi)收的方法來補助旋律上行和下行時的力度,這樣會使旋律更加連貫。第二,斷奏的踏板運用種類有淺踏板、抖動踏板、節(jié)奏踏板、切分踏板等4種運用法。隨意運用或者踏板上下幅度過大,會出現(xiàn)嗡嗡的聲音或者嗓音,所以要謹慎運用踏板。第三,八度彈奏需要手掌的支撐,手的大小也影響著手關(guān)節(jié)的緊張程度,但手大手小都要放松臂膀和手臂,肩膀不要慫起來。準確無誤而有力量的八度就是在這樣準確的姿勢下練出來的。第四,控制速度有好幾種方法:平穩(wěn)彈奏、壓住旋律、連貫彈奏、貼鍵彈奏等,特別是16分音符跑動時,不要急于跑動,要注意作品的效果。速度過快失去莊重的氣氛,速度放慢會失去作曲者的一種積極向上的意圖。所以,整個作品的關(guān)鍵在于控制好速度。這離不開平時扎實的基本功。希望本論文的研究結(jié)果,能夠有助于鋼琴專業(yè)學生的學習和進步。
[Abstract]:Piano Concerto No. 1 (1796) is a pioneering work of Beethoven Concerto and a representative work of his early creation. In this paper, the performance techniques of Beethoven's Piano Concerto No. 1 (the first movement) are studied in terms of the control of strength, the control of speed, the use of pedals and the playing method of octave. Beethoven's "Piano Concerto No. 1" (the first movement) is characterized by the following four aspects: first, the touch keys of the strong and weak contrasts in the fast running should play each sound loosely from the shoulder-through the wrist-to the finger order. The beginning of each bar is the key, the center of gravity is on the fingers of the key, the head is supported with full force, and the remaining three are played with keys. The arm should be pushed outward or inward to supplement the strength of the melody up and down, which makes the melody more coherent. Secondly, there are four kinds of staccato pedal: shallow pedal, jitter pedal, rhythm pedal and cut pedal. Free use or excessive pedal up and down, there will be a buzzing sound or voice, so use the pedals carefully. Third, octave play requires the support of the palm, the size of the hand also affects the tension of the hand joints, but the big hands should relax the arms and arms, shoulders should not be countenance. The accurate and powerful octave is trained in such an accurate position. Fourth, there are several ways to control the speed: playing smoothly, holding down the melody, playing coherently, sticking keys, etc., especially when running 16 minutes, do not rush to run, pay attention to the effect of the work. Too fast to lose the solemn atmosphere, slow down will lose the composer of a positive intention. Therefore, the key to the whole work is to control the speed well. This is inseparable from the usual solid basic skills. Hope that the results of this paper can contribute to the study and progress of piano students.
【學位授予單位】：延邊大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J624.1

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本文編號：2221958