箏曲《長相思》意象形態(tài)及其演奏表現研究
發(fā)布時間:2018-08-23 13:16
【摘要】:古箏獨奏曲《長相思》將傳統(tǒng)古音《春江花月夜》的素材與陜西地方音樂素材融合,用中國傳統(tǒng)音樂的創(chuàng)作原理和現代作曲手法相結合,生動地對同名詩作“感傷”的意象進行樂曲創(chuàng)作。本文通過對五聲音階調式調性的變化和轉換,與現代古箏技巧相配合,歸納了“思慕”、“悵惘”、“感慨”、“追憶”等不同的具體意象形態(tài),并從音樂形態(tài)入手分別在長搖、單手泛音、快速指序及多聲部織體演奏等多種演奏方法對四個意象的表現問題進行探討。“思慕”之意象,通過輪指與搖指強弱規(guī)律及氣息運用來表現;“悵惘”之意象,通過刮奏和大段搖指及泛音技術來表現,應該注意刮奏時指尖的角度與力度,搖指的連貫性與強弱起伏交替的韻律;“感慨”之意象,應該通過右手快速指序和多元化節(jié)奏型來表現,在演奏時保持音符的顆粒感跳躍不失流動的原則;“追憶”之意象,通過三聲部主旋律強化配合右手反琶音及三連音伴奏織體的柱式和弦旋律來表現,演奏時需對旋律主音力度速度的掌控。演奏中,我們將以上四種意象相互聯結、相互平衡,就會總體上構成全曲“感傷”的意象。
[Abstract]:The Guzheng solo "Acacia" combines the material of the traditional song "Spring River Flower Moon Night" with the local music material of Shaanxi Province, and combines the creative principle of Chinese traditional music with the modern composing technique. Vividly write music on the image of the poem of the same name "sentimental". Through the change and transformation of the tone of the pentatonic scale, and in coordination with the modern guzheng technique, this paper sums up different specific image forms, such as "longing", "wistfulness", "feeling", "recalling" and so on. The performance of the four images is discussed from the aspects of long swing, one-hand overtone, fast finger sequence and multi-part texture playing. The image of "yearning" is expressed through the use of the laws of the strong and weak and the breath of "wistful", and the image of "wistfulness" is expressed through wiretapping and swinging fingers and overtone techniques, so we should pay attention to the angle and intensity of the fingertips when scratching. The rhythm of the continuity of the finger and the fluctuation of the strong and the weak; the image of "emotion" should be expressed through the fast finger order of the right hand and the pluralistic rhythm, and the principle of keeping the granular sense of the notes jumping and flowing while playing; the image of "recalling", Through the strengthening of the three-part main melody with the right hand anti-arpeggios and the three-tone accompaniment of the string chord melody to express, when playing, we need to control the speed of the melody main tone. In the performance, we connect and balance the above four images, which will constitute the sentimental image of the whole song.
【學位授予單位】:南京藝術學院
【學位級別】:碩士
【學位授予年份】:2015
【分類號】:J632.32
本文編號:2199191
[Abstract]:The Guzheng solo "Acacia" combines the material of the traditional song "Spring River Flower Moon Night" with the local music material of Shaanxi Province, and combines the creative principle of Chinese traditional music with the modern composing technique. Vividly write music on the image of the poem of the same name "sentimental". Through the change and transformation of the tone of the pentatonic scale, and in coordination with the modern guzheng technique, this paper sums up different specific image forms, such as "longing", "wistfulness", "feeling", "recalling" and so on. The performance of the four images is discussed from the aspects of long swing, one-hand overtone, fast finger sequence and multi-part texture playing. The image of "yearning" is expressed through the use of the laws of the strong and weak and the breath of "wistful", and the image of "wistfulness" is expressed through wiretapping and swinging fingers and overtone techniques, so we should pay attention to the angle and intensity of the fingertips when scratching. The rhythm of the continuity of the finger and the fluctuation of the strong and the weak; the image of "emotion" should be expressed through the fast finger order of the right hand and the pluralistic rhythm, and the principle of keeping the granular sense of the notes jumping and flowing while playing; the image of "recalling", Through the strengthening of the three-part main melody with the right hand anti-arpeggios and the three-tone accompaniment of the string chord melody to express, when playing, we need to control the speed of the melody main tone. In the performance, we connect and balance the above four images, which will constitute the sentimental image of the whole song.
【學位授予單位】:南京藝術學院
【學位級別】:碩士
【學位授予年份】:2015
【分類號】:J632.32
【相似文獻】
相關期刊論文 前10條
1 于武臣;戴立志;;天下為…… (調寄《長相思》)[J];同舟共進;2003年04期
2 胡輔華;長相思 春華秋實[J];農產品加工;2004年02期
3 王靜才;;長相思(二首)[J];綠化與生活;2006年05期
4 墨子卿;;長相思[J];國學;2010年02期
5 張三星;;長相思——紀念建黨九十周年[J];價格與市場;2011年07期
6 劉建國;;長相思 人間真情[J];吉林人大;2012年01期
7 李白;白壯;;長相思[J];音樂天地;2012年11期
8 雷偉富;;長相思·蜜蜂[J];中國蜂業(yè);2012年36期
9 章軍華;長相思[J];撫州師專學報;1997年Z1期
10 趙偉民;;長相思[J];農村天地;1997年08期
相關會議論文 前1條
1 吳隆揚;;長相思 與闊別六十多年之港臺同學歡聚薌城[A];福建省詩詞學會2007年年會論文集暨福建詩詞(第十七集)[C];2007年
相關重要報紙文章 前1條
1 采訪人 夜雨 商報記者;桐華:閱讀是最有意思的事情,沒有之一[N];中國圖書商報;2013年
相關碩士學位論文 前3條
1 周璇;箏曲《長相思》意象形態(tài)及其演奏表現研究[D];南京藝術學院;2015年
2 劉影;樂府《長相思》研究[D];首都師范大學;2009年
3 張婧;《長相思》劇本及其創(chuàng)作闡述[D];中國戲曲學院;2014年
,本文編號:2199191
本文鏈接:http://sikaile.net/wenyilunwen/yinlelunwen/2199191.html
最近更新
教材專著