【摘要】：多元文化推動(dòng)下的音樂藝術(shù)傳承,常常面臨諸多問題。"米勒斯維爾國際室內(nèi)樂藝術(shù)節(jié)"是以藝術(shù)節(jié)為載體的當(dāng)代室內(nèi)樂傳承形式。它通過多元、立體層次的參與者及場(chǎng)域的構(gòu)建,形成了參與型音樂審美體驗(yàn)境域,并起到提升大眾審美結(jié)構(gòu)之作用;通過和而不同的內(nèi)容布局,完成了不同的音樂文化從對(duì)抗走向?qū)υ?實(shí)現(xiàn)了藝術(shù)教育的跨文化理念;在服務(wù)社會(huì)大眾的同時(shí)提升文化消費(fèi)結(jié)構(gòu),逐步達(dá)到對(duì)和諧型音樂文化消費(fèi)的倡導(dǎo)。
[Abstract]:Under the multi-cultural impetus music art inheritance, often faces many problems. Hans Muller Swell International Chamber Music Festival is a form of contemporary chamber music inheritance with art festival as its carrier. Through the construction of multiple, three-dimensional participants and the field, it forms the participating music aesthetic experience domain, and plays the role of enhancing the aesthetic structure of the masses. It completes the different music culture from confrontation to dialogue, realizes the cross-cultural concept of art education, promotes the cultural consumption structure while serving the social masses, and gradually achieves the advocacy of harmonious music culture consumption.
【作者單位】： 福州大學(xué)人文社會(huì)科學(xué)學(xué)院音樂學(xué)系;
【基金】：福建省教育廳2017年度中青年項(xiàng)目“JAS170057多元音樂審美文化傳播的本土化構(gòu)建——以福州大學(xué)校園音樂文化建設(shè)為例”階段性成果之一
【分類號(hào)】：J627.0-2
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本文編號(hào)：2194231