【摘要】：古箏自身具有的音色典雅柔和以及悅耳動人的特點,及其獨有的五聲音階弦序排序,深受人們喜愛。近年來隨著古箏教育的不斷普及,古箏藝術(shù)也隨之得到快速的發(fā)展,但是由于更多新曲目的出現(xiàn),演奏者為追求時髦技法,推崇感官上的音響效果,盲目的認(rèn)為只要彈得響、快、奇、怪就是高水平,其實不然。將古箏這種古老且具有特殊韻味的樂器當(dāng)做西洋樂器來看,導(dǎo)致古箏業(yè)余愛好者和初學(xué)者忽視對古箏演奏中技巧的訓(xùn)練,尤其是對左手技巧的不重視,這些行為嚴(yán)重違背了中國傳統(tǒng)音樂藝術(shù)魅力中“韻”的講究。古箏和其它樂器之間存在很大不同,在古箏演奏上利用其左手技巧可以使得古箏樂曲更加個性鮮明,韻味更加飽滿引人回味,這是其他固定樂器或者是半固定樂器不能取代的,這也奠定了古箏在民族音樂和樂器中的重要地位。首先,本文詳細(xì)介紹了古箏的來歷和發(fā)展,并對作韻技法進(jìn)行詳細(xì)闡述,在此基礎(chǔ)上,分析不同流派古箏箏曲的風(fēng)格特點。其次,本文對古箏的左手技法進(jìn)行介紹,在此基礎(chǔ)上并對其相關(guān)的“揉、按、吟、顫”手法的運用和技巧進(jìn)行詳細(xì)的說明,并充分說明古箏左手技法在實際彈奏過程中的重要性,引起演奏者的重視。最后,就當(dāng)前古箏發(fā)展趨勢及其存在問題進(jìn)行綜合分析論述,并對其未來發(fā)展方向進(jìn)行展望。
[Abstract]:Guzheng has its own elegant and melodious timbre and pleasing to the ear, and its unique order of five-tone string order, deeply loved by people. In recent years, with the continuous popularization of guzheng education, the art of guzheng has also been rapidly developed. However, due to the emergence of more new tracks, players blindly think that as long as they play sound, in order to pursue modern techniques and promote sound effects on the senses, Quick, strange, strange is high level, it is not. The fact that Guzheng, an ancient instrument with a special flavor, is regarded as a Western instrument, has led amateurs and beginners to neglect the training of techniques in playing guzheng, especially the skill of the left hand. These behaviors seriously violate the charm of traditional Chinese music. There is a great difference between guzheng and other musical instruments. The use of the left hand technique in playing guzheng can make guzheng music more distinctive and full of flavor, which can not be replaced by other fixed or semi-fixed instruments. This also established the important position of guzheng in folk music and musical instruments. Firstly, this paper introduces the origin and development of guzheng in detail, and expounds the rhyme techniques in detail. On this basis, it analyzes the style and characteristics of different genres of zither music. Secondly, this paper introduces the left hand technique of guzheng, and on the basis of this, explains in detail the use and skill of the relevant "kneading, pressing, chanting, quivering" technique. And fully explains the Guzheng left hand technique in the actual play process importance, cause the player's attention. Finally, the development trend and existing problems of Guzheng are analyzed and discussed, and its future development direction is prospected.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J632.32

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