【摘要】：近現(xiàn)代二胡藝術(shù)發(fā)展突飛猛進,已成為我國重要的獨奏樂器之一,在國際音樂領(lǐng)域也有自己的一席之地。二胡藝術(shù)之所以能發(fā)展的如此之快,除了有眾多的民族音樂家演奏家對它的研究和創(chuàng)新之外,西方小提琴藝術(shù)也對二胡的發(fā)展產(chǎn)生了不小的影響。研究二胡與小提琴之間的共同點,“挖掘”提琴藝術(shù)中的優(yōu)良部分,以“取之精華”的思路用于二胡的發(fā)展之中,是本文論述的重要目的之一。
[Abstract]:With the rapid development of modern erhu art, it has become one of the most important solo instruments in our country and has its own place in the field of international music. Besides the research and innovation of many national musicians, the western violin art also has a great influence on the development of erhu. It is one of the important purposes of this paper to study the common ground between erhu and violin, to dig out the fine parts of violin art and to apply the idea of "taking the essence" to the development of erhu.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J632.21
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本文編號：2177824