【摘要】：女樂是中國(guó)古代專業(yè)的歌舞藝人,始自夏初,隊(duì)伍龐大,秦漢時(shí)宮廷中已有數(shù)萬人之眾,她們是古代樂妓的主要成員,在中國(guó)古代音樂發(fā)展史上作用重大。唐代女樂技藝達(dá)到高峰,她們所做出的貢獻(xiàn),是中國(guó)音樂史上不可或缺的重要文化組成部分。唐代諸多宮廷音樂機(jī)構(gòu)中,教坊尤為重要,它管理、教習(xí)俗樂樂人并貫穿著整個(gè)唐代。教坊女樂為教坊的主要構(gòu)成人員,具有代表性,她們身份卑賤,自幼習(xí)樂,既是音樂表演的載體,又是音樂的傳播者,創(chuàng)造的多種新的藝術(shù)形式,為后世所傳承。由此,唐代音樂作品、教坊、女樂三者形成了一種相互影響又相互促進(jìn)的關(guān)系。了解唐代教坊女樂的歷史發(fā)展脈絡(luò),不僅對(duì)梳理唐代音樂史起著至關(guān)重要的作用,而且對(duì)研究整個(gè)中國(guó)古代音樂史而言也是重要的環(huán)節(jié)之一。本文共分為三章對(duì)唐代教坊女樂進(jìn)行研究。第一章主要概述了教坊的設(shè)置、發(fā)展及其制度管理,通過對(duì)女樂的釋義,了解女樂在唐代的組織、傳播及影響。第二章闡述唐代教坊女樂的音樂生活,從構(gòu)成、管理、音樂教育及演出四個(gè)方面入手,力圖整體、全面的探究唐代教坊女樂制度的發(fā)展和演變。第三章從人類學(xué)、社會(huì)學(xué)的角度出發(fā),對(duì)女樂的身份地位、情感命運(yùn)和社會(huì)作用作深度剖析,探索女樂在唐代的音樂貢獻(xiàn)及文化價(jià)值。
[Abstract]:Female music is a professional singer and dancer in ancient China. Since the beginning of summer, there have been tens of thousands of people in the court of Qin and Han dynasties. They are the main members of the ancient music prostitutes and play an important role in the history of the development of ancient Chinese music. The female music art reached its peak in the Tang Dynasty, and their contribution was an indispensable cultural component in the history of Chinese music. Among many court music organizations in the Tang Dynasty, the teaching workshop is especially important, it manages, teaches custom music person and runs through the whole Tang Dynasty. The female music of the teaching workshop is the main component of the teaching workshop, which is representative. Their status is mean, and they are the carrier of music performance and the disseminator of music. The creation of many new artistic forms has been passed down by later generations. Therefore, the Tang Dynasty music works, teaching workshops, women's music formed a mutual influence and mutual promotion. Understanding the historical development of the female music in the Tang Dynasty is not only very important to the music history of the Tang Dynasty, but also one of the important links to the study of the music history of the whole ancient China. This paper is divided into three chapters to study the female music in the Tang Dynasty. The first chapter mainly summarizes the establishment, development and system management of the teaching workshop, through the interpretation of the female music, understand the organization, dissemination and influence of the female music in the Tang Dynasty. The second chapter expounds the music life of the female music in the Tang Dynasty, starting with the four aspects of composition, management, music education and performance, trying to explore the development and evolution of the female music system of the teaching workshop in the Tang Dynasty in an all-round way. The third chapter, from the angle of anthropology and sociology, makes a deep analysis of the status, emotional fate and social function of the female music, and explores the contribution and cultural value of the female music in the Tang Dynasty.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J609.2

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