【摘要】：在上世紀(jì)才開始出現(xiàn)的實(shí)驗(yàn)音樂屬于一種新型音樂,其創(chuàng)作觀念以及手法都相當(dāng)激進(jìn),本文在分析實(shí)驗(yàn)音樂過程中,先后闡述了其概念、表現(xiàn)形式、代表作品等等。實(shí)驗(yàn)音樂離不開對(duì)科學(xué)技術(shù)的依賴,因此本文說明了實(shí)驗(yàn)音樂與科學(xué)技術(shù)的結(jié)合,實(shí)質(zhì)上生產(chǎn)力的發(fā)展推動(dòng)了科學(xué)技術(shù)的發(fā)展,因此實(shí)驗(yàn)音樂才有了發(fā)展的空間。本文在對(duì)實(shí)驗(yàn)音樂的敘述中,提供了四部經(jīng)典的實(shí)驗(yàn)音樂的作品的分析與自己的理解。凱奇、費(fèi)爾德曼、布朗與沃爾夫是實(shí)驗(yàn)音樂的代表作曲家,他們對(duì)實(shí)驗(yàn)音樂作出了突出的貢獻(xiàn),他們運(yùn)用了各種新奇的手法與創(chuàng)造性的思維來讓實(shí)驗(yàn)音樂更加充滿活力,也更加吸引觀眾。其實(shí),實(shí)驗(yàn)音樂并不奇特,它是一種在音樂上的新型的探究,也是音樂領(lǐng)域中創(chuàng)新性的體現(xiàn),也更符合現(xiàn)代社會(huì)的要求和趨勢(shì)。本研究不僅豐富了實(shí)驗(yàn)音樂的相關(guān)理論,同時(shí)也為后人對(duì)我國實(shí)驗(yàn)音樂的研究提供了一定的參考。實(shí)驗(yàn)音樂的重點(diǎn)是音樂,是對(duì)音樂的表現(xiàn)形式的總結(jié)。而音樂實(shí)驗(yàn)則注重實(shí)驗(yàn),是對(duì)音樂人、作曲家們的探索精神、思考能力的肯定以及贊揚(yáng)。運(yùn)用音樂來實(shí)驗(yàn),不僅能夠創(chuàng)造出實(shí)驗(yàn)音樂還能夠激發(fā)人們的活力。本文介紹了他們的代表作品、表演形式、演唱技巧、作品風(fēng)格以及本人對(duì)這些作品的理解。我們應(yīng)該鼓勵(lì)這種實(shí)驗(yàn)精神。本文在音樂實(shí)驗(yàn)的敘述中,具體敘述了當(dāng)代中國著名音樂人的音樂實(shí)驗(yàn),也就是他們是如何利用音樂與其他科學(xué)技術(shù)相結(jié)合,與聲樂領(lǐng)域相結(jié)合。在實(shí)驗(yàn)音樂的領(lǐng)域,本人也進(jìn)行了一定程度的探索。本人對(duì)《玫瑰玫瑰我愛你》進(jìn)行了一定的改編,雖然受到了很大的爭(zhēng)議,但是最終得到了我想要的效果。本文也對(duì)此進(jìn)行了一定的講解。在本文研究的最后,對(duì)實(shí)驗(yàn)音樂的未來發(fā)展趨勢(shì)進(jìn)行了說明與暢想,并指出實(shí)驗(yàn)音樂與傳統(tǒng)音樂的結(jié)合是另一種活躍的形式與靈感。總體看來,我們應(yīng)該鼓勵(lì)實(shí)驗(yàn)音樂的發(fā)展,更應(yīng)該鼓勵(lì)更多的人進(jìn)行音樂上的實(shí)驗(yàn),肯定這種精神,從而在音樂發(fā)展的道路上能夠創(chuàng)造更美好的未來。
[Abstract]:The experimental music that appeared in the last century belongs to a new type of music, and its creative ideas and techniques are quite radical. In the process of analyzing the experimental music, this paper expounds its concept, expression form, representative works and so on. Experimental music depends on science and technology, so this paper shows that the combination of experimental music and science and technology, in essence, the development of productive forces has promoted the development of science and technology, so there is room for the development of experimental music. In the narration of experimental music, this paper provides the analysis and understanding of four classical experimental music works. Cage, Feldman, Brown and Wolff are the representative composers of experimental music. They have made outstanding contributions to experimental music. They have used all kinds of novel techniques and creative thinking to make the experimental music more dynamic. It is also more attractive to the audience. In fact, experimental music is not peculiar, it is a new type of exploration in music, is also a creative embodiment in the field of music, but also more in line with the requirements and trends of modern society. This study not only enriches the relevant theories of experimental music, but also provides some references for future generations to study experimental music in China. The emphasis of experimental music is music, which is the summary of the expression of music. The music experiment pays attention to the experiment, is to the musician, the composer's exploration spirit, the thinking ability affirmation and the praise. Using music to experiment can not only create experimental music but also stimulate people's vitality. This article introduces their representative works, performance forms, singing skills, style and my understanding of these works. We should encourage this spirit of experimentation. In the narration of music experiment, this paper concretely narrates the music experiment of famous musicians in contemporary China, that is, how they combine music with other science and technology, and combine with the field of vocal music. In the field of experimental music, I also made a certain degree of exploration. I made a certain adaptation of Rose I Love you, although it was very controversial, but finally got the effect I want. This article also carries on the certain explanation to this. At the end of this paper, the future development trend of experimental music is explained and imagined, and it is pointed out that the combination of experimental music and traditional music is another active form and inspiration. In general, we should encourage the development of experimental music, more people should be encouraged to do music experiments, affirm this spirit, so as to create a better future on the way of music development.
【學(xué)位授予單位】：天津音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J605

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