卡巴列夫斯基《D大調(diào)第三鋼琴協(xié)奏曲》的研究
發(fā)布時間:2018-07-25 13:32
【摘要】:本文以卡巴列夫斯基“為蘇聯(lián)青少年而作”的《D大調(diào)第三鋼琴協(xié)奏曲》為研究對象,通過對國內(nèi)外文獻的收集和梳理,從作品的音樂本體進行研究,同時結(jié)合音樂美學和教學方面進行分析與總結(jié)。主要方法包括:一、以文獻法對國內(nèi)外相關(guān)文獻進行整理,提煉有助于筆者研究的相關(guān)資料;二、以注釋法對音樂本體進行研究,對作品的曲式、和聲、主題、風格,以及彈奏技巧、演奏版本等方面進行分析,力求細致和深度的探索這部作品的音樂魅力,感受卡巴列夫斯基的創(chuàng)作風格,使更多人關(guān)注和喜愛這部作品;三、以音樂美學和音樂教學的角度,探索這部作品深層的理論意義。
[Abstract]:This paper takes "Piano Concerto No. 3 in D major" by Kabalevsky "for Soviet Youth" as the research object, through collecting and combing the literature at home and abroad, from the music Noumenon of the work to carry on the research. At the same time, combined with music aesthetics and teaching to analyze and summarize. The main methods are as follows: first, the literature method is used to sort out the relevant documents at home and abroad, to extract the relevant materials that are helpful to the author's research; second, to study the music ontology with the annotation method, to study the form, harmony, theme, style of the works, As well as playing skills, performance version and other aspects of analysis, strive to explore the musical charm of the work in detail and depth, feel the creative style of Kabalevsky, so that more people pay attention to and love this work; third, From the angle of music aesthetics and music teaching, this paper explores the deep theoretical significance of this work.
【學位授予單位】:中國音樂學院
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:J624.1
本文編號:2143977
[Abstract]:This paper takes "Piano Concerto No. 3 in D major" by Kabalevsky "for Soviet Youth" as the research object, through collecting and combing the literature at home and abroad, from the music Noumenon of the work to carry on the research. At the same time, combined with music aesthetics and teaching to analyze and summarize. The main methods are as follows: first, the literature method is used to sort out the relevant documents at home and abroad, to extract the relevant materials that are helpful to the author's research; second, to study the music ontology with the annotation method, to study the form, harmony, theme, style of the works, As well as playing skills, performance version and other aspects of analysis, strive to explore the musical charm of the work in detail and depth, feel the creative style of Kabalevsky, so that more people pay attention to and love this work; third, From the angle of music aesthetics and music teaching, this paper explores the deep theoretical significance of this work.
【學位授予單位】:中國音樂學院
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:J624.1
【參考文獻】
相關(guān)期刊論文 前2條
1 鄭琳瑋;;淺談卡巴列夫斯基音樂創(chuàng)作風格[J];北方音樂;2013年03期
2 楊皓;;論卡巴列夫斯基《第三鋼琴協(xié)奏曲》的音樂文體[J];現(xiàn)代交際;2010年04期
相關(guān)碩士學位論文 前1條
1 魏江娜;探究卡巴列夫斯基《D大調(diào)第三鋼琴協(xié)奏曲“為青少年而作”》Op50及其教學價值[D];上海師范大學;2012年
,本文編號:2143977
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