傳承與發(fā)展——淺談研究漫瀚調(diào)唱腔的社會意義
發(fā)布時間:2018-07-23 08:22
【摘要】:漫瀚調(diào)作為蒙漢文化交融的產(chǎn)物,對漫瀚調(diào)的唱腔進(jìn)行研究,對蒙漢文化交融性的研究更具有民族學(xué)上的意義。漫瀚調(diào)在新媒體時代背景下的傳承與發(fā)展,需要進(jìn)行更加創(chuàng)新性的研究,其研究成果可供有價值的理論依據(jù)和思路。
[Abstract]:As the product of the blending of Mongolian and Chinese culture, Manhandiao studies the singing of Manhandi, and the study of the blending of Mongolian and Chinese culture has more ethnological significance. In the context of the new media era, Manhaan's inheritance and development need more innovative research, and the research results can provide valuable theoretical basis and ideas.
【作者單位】: 內(nèi)蒙古科技大學(xué);
【分類號】:J607
本文編號:2138785
[Abstract]:As the product of the blending of Mongolian and Chinese culture, Manhandiao studies the singing of Manhandi, and the study of the blending of Mongolian and Chinese culture has more ethnological significance. In the context of the new media era, Manhaan's inheritance and development need more innovative research, and the research results can provide valuable theoretical basis and ideas.
【作者單位】: 內(nèi)蒙古科技大學(xué);
【分類號】:J607
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1 梁毅;;淺談云南少數(shù)民族舞蹈的傳承與發(fā)展[J];大眾文藝;2013年23期
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,本文編號:2138785
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