【摘要】：鋼琴源于西方,在流傳到中國(guó)后,經(jīng)過(guò)一段時(shí)間的兼容與推廣,許多文人志士在學(xué)習(xí)了作曲技法后,通過(guò)對(duì)廣為流傳的民間音樂(lè)元素進(jìn)行二度創(chuàng)作,創(chuàng)編成鋼琴曲。云南因其獨(dú)特的地理位置和多少數(shù)民族使其音樂(lè)更具特色,民族鋼琴作品的藝術(shù)研究?jī)r(jià)值也尤為突出�！兑蜕斤L(fēng)情畫(huà)》是作曲家陳勇教授于1987年創(chuàng)作的,陳勇先生是云南省不可多得的民族音樂(lè)本土作曲家之一,他的創(chuàng)作往往是把云南的少數(shù)民族元素和西方的作曲技法緊密地交織在一起,將云南民族特色通過(guò)二度創(chuàng)作更加淋漓盡致地表現(xiàn)出來(lái)。作品《彝山風(fēng)情畫(huà)》是由《對(duì)歌》、《馬車(chē)》、《火塘》、《篝火》、《跳腳》五首作品組成的鋼琴組曲�！兑蜕斤L(fēng)情畫(huà)》是少有的以彝族風(fēng)情為題材的優(yōu)秀鋼琴組曲,是作曲家在大量地收集祿勸當(dāng)?shù)匾妥逅夭暮笞V寫(xiě)出表現(xiàn)祿勸彝族人民載歌載舞,豐富多彩生活的鋼琴作品。本文由三個(gè)部分組成:導(dǎo)論,三大章節(jié)和結(jié)論。緒論簡(jiǎn)述了論文研究的目的、國(guó)內(nèi)外研究現(xiàn)狀分析與意義。第一章是對(duì)作曲家、作品及云南彝族的簡(jiǎn)要概述;第二章是對(duì)整首組曲的審美內(nèi)涵進(jìn)行研究;第三章是作品的演奏分析和云南民族音樂(lè)的現(xiàn)實(shí)意義。最后的結(jié)論,是通過(guò)對(duì)整篇論文進(jìn)行民族音樂(lè)的價(jià)值和影響總結(jié)陳述。
[Abstract]:Piano originated from the West, after spreading to China, after a period of compatibility and promotion, many literati learned the composition techniques, through the popular folk music elements of the second creation, to create a piano music. Yunnan, because of its unique geographical location and many ethnic minorities, has made its music more distinctive, and the artistic research value of its national piano works is particularly prominent. "Yi Mountain amorous feelings painting" was created by composer Chen Yong in 1987. Mr. Chen Yong is one of the rare native composers of folk music in Yunnan Province. His creation often closely interweaves the elements of ethnic minorities in Yunnan with western composing techniques. Yunnan ethnic characteristics through the second creation more incisively and vividly demonstrated. Works "Yi Mountain amorous feelings painting" is a piano suite composed of five works: "Song of the Yi", "the carriage", "the fire pond", "bonfire" and "jumping feet". The "Yi Mountain style painting" is a rare excellent piano suite with Yi customs as its subject matter. It is the composer who collected a large amount of material from the local Yi nationality of Luquan and composed piano works which showed the people of Luquan to sing and dance and to live a colorful life. This paper consists of three parts: introduction, three chapters and conclusions. The introduction describes the purpose of the research, the analysis and significance of domestic and foreign research status. The first chapter is a brief overview of the composer, works and Yunnan Yi nationality; the second chapter is to study the aesthetic connotation of the whole suite; the third chapter is the performance analysis of the works and the practical significance of Yunnan folk music. The last conclusion is to summarize the value and influence of folk music.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J624.1

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本文編號(hào)：2132806