鋼琴組曲《雁北印象》五聲性和聲手法的運(yùn)用
發(fā)布時(shí)間:2018-07-17 05:48
【摘要】:姚恒璐教授于1980創(chuàng)作了鋼琴組曲《雁北印象》,發(fā)表于《音樂創(chuàng)作》上。這部鋼琴組曲取材于山西民間音樂,由5首特色鮮明的小曲組成。是姚教授依據(jù)自己年輕時(shí)在山西插隊(duì)的經(jīng)歷寫作而成,也是其早期為探索中國(guó)民間音樂多聲部音樂而創(chuàng)作的一部鋼琴組曲。本文著重分析姚恒璐教授在這部組曲中縱向的和聲運(yùn)用。
[Abstract]:Professor Yao Henglu wrote Piano Suite Yanbei impression in 1980, published in Music creation. This piano suite is based on Shanxi folk music and is composed of five distinctive pieces. Professor Yao wrote according to his experience of jumping in line in Shanxi Province when he was young, and he also wrote a piano suite to explore the multi-part music of Chinese folk music in the early days. This paper focuses on the vertical use of harmony in this suite by Professor Yao Henglu.
【作者單位】: 廣東省肇慶學(xué)院音樂學(xué)院;
【分類號(hào)】:J624.1
[Abstract]:Professor Yao Henglu wrote Piano Suite Yanbei impression in 1980, published in Music creation. This piano suite is based on Shanxi folk music and is composed of five distinctive pieces. Professor Yao wrote according to his experience of jumping in line in Shanxi Province when he was young, and he also wrote a piano suite to explore the multi-part music of Chinese folk music in the early days. This paper focuses on the vertical use of harmony in this suite by Professor Yao Henglu.
【作者單位】: 廣東省肇慶學(xué)院音樂學(xué)院;
【分類號(hào)】:J624.1
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【共引文獻(xiàn)】
相關(guān)期刊論文 前9條
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本文編號(hào):2129285
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