【摘要】：文章基于相同的聲學(xué)實(shí)驗(yàn)環(huán)境,用各國琴槌激發(fā)相同的琴的固定位置、相同的琴槌激發(fā)不同國家揚(yáng)琴的相同音高,通過對(duì)不同國家揚(yáng)琴槌與琴體音色關(guān)系量化統(tǒng)計(jì)研究得出:對(duì)于大多數(shù)國家揚(yáng)琴來說,琴槌比琴體對(duì)音色影響大。歐美琴槌更容易激發(fā)出低頻能量,歐美揚(yáng)琴也更容易被激發(fā)出低頻能量。亞洲琴槌更容易激發(fā)出高頻能量,亞洲揚(yáng)琴也更容易被激發(fā)出高頻能量。竹制琴槌可以制造出比木材更加明亮的聲音效果。因此,造成中國揚(yáng)琴音色個(gè)性的重要因素是"竹制的琴槌"。
[Abstract]:Based on the same acoustical experimental environment, this paper uses each country's hammer to excite the same fixed position of the piano and the same hammer to stimulate the same pitch of the yangqin in different countries. Through the quantitative statistical study on the relationship between mallet and tone color in different countries, it is concluded that for most countries, mallet has more influence on timbre than on lute. The mallet of Europe and the United States is easier to excite low frequency energy, and American yangqin is easier to be stimulated low frequency energy. Asian hammers are more likely to generate high-frequency energy, and Asian yangs are also more likely to be stimulated by high-frequency energy. Bamboo hammers can produce a brighter sound effect than wood. Therefore, the important factor that causes the Chinese yangqin timbre individuality is the bamboo lute mallet.
【作者單位】： 中國音樂學(xué)院;
【基金】：2014年文化部科技創(chuàng)新項(xiàng)目“以竹代木聲學(xué)特性鑒別”的階段性成果(編號(hào)2014KJCXXM22)
【分類號(hào)】：J632.51

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本文編號(hào)：2118877