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淺談肖邦夜曲Op.9No.2顫音技巧的訓(xùn)練

發(fā)布時(shí)間:2018-07-04 10:13

  本文選題:肖邦 + 夜曲 ; 參考:《藝術(shù)評(píng)鑒》2016年08期


【摘要】:顫音是一種重要的演奏技術(shù),可以為樂(lè)曲添增色彩與情趣。肖邦在他的夜曲創(chuàng)作中大量地使用這種技巧,目的是為了表達(dá)各種豐富的情感。但是在演奏中,錯(cuò)誤的顫音彈奏方法會(huì)造成手指肌肉緊張,手腕僵硬,音質(zhì)變差等問(wèn)題,為了解決這個(gè)技術(shù)問(wèn)題,本文從高抬指、放松、手型、變換手指演奏部位等方面來(lái)闡述顫音彈奏的要點(diǎn),借以給存在相同困惑的彈奏者提供一些思路。
[Abstract]:Tremolo is an important playing technique that adds color and interest to the music. Chopin used this technique extensively in his nocturne creation to express a variety of emotions. However, in order to solve this technical problem, the wrong tremolo playing method can cause the finger muscle tension, wrist stiffness, sound quality deterioration, etc. In order to solve this technical problem, this paper starts from raising fingers, relaxing, hand type, etc. The main points of tremolo playing are explained by changing the position of finger playing so as to provide some ideas for the players who have the same confusion.
【作者單位】: 江蘇模特藝術(shù)學(xué)校;
【分類號(hào)】:J624.1

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