本文選題：琵琶 + 霸王卸甲��； 參考：《山東藝術(shù)學(xué)院》2017年碩士論文

【摘要】：琵琶距今已有兩千多年的歷史,可謂彈撥樂(lè)器中最年長(zhǎng)的樂(lè)器之一。到了公元十五世紀(jì)左右,琵琶音樂(lè)類(lèi)型也發(fā)生了變化,出現(xiàn)了“文曲”“武曲”,這些作品大多演奏難度較大,音色變化頻繁,大大豐富了琵琶的藝術(shù)表現(xiàn)力和藝術(shù)特色。本文從音樂(lè)本體、演奏特征以及創(chuàng)作特點(diǎn)出發(fā)對(duì)武套《霸王卸甲》進(jìn)行分析。演奏這首作品必將有助于演奏者更好的挖掘和表現(xiàn)武曲的特點(diǎn),并對(duì)曲子的把握以及理解武曲的思想內(nèi)涵提出了新的要求與挑戰(zhàn)。文章對(duì)琵琶武曲《霸王卸甲》的創(chuàng)作特點(diǎn)及藝術(shù)特色進(jìn)行探討,希望對(duì)琵琶藝術(shù)的傳承與創(chuàng)新具有一定的現(xiàn)實(shí)意義。要處理好《霸王卸甲》的演奏是一個(gè)較為復(fù)雜漫長(zhǎng)的過(guò)程。因此,通過(guò)科學(xué)引導(dǎo),樹(shù)立良好的曲風(fēng)和情感觀念,從多方面全面提高對(duì)樂(lè)曲的理解與創(chuàng)作特點(diǎn)的把握,才可能較好的解決這一問(wèn)題。本文從琵琶武曲《霸王卸甲》的創(chuàng)作特點(diǎn)與藝術(shù)特色為出發(fā)點(diǎn),結(jié)合演奏實(shí)踐經(jīng)驗(yàn)總結(jié)出自己的研究心得,對(duì)琵琶武曲的探究加以補(bǔ)充及梳理。以分析琵琶武曲《霸王卸甲》的創(chuàng)作特點(diǎn)及藝術(shù)特色為視角來(lái)窺探和挖掘琵琶傳統(tǒng)作品的藝術(shù)魅力。對(duì)《霸王卸甲》不同流派的創(chuàng)作特點(diǎn)與藝術(shù)特色進(jìn)行比較分析,力求加深對(duì)樂(lè)曲的理解和掌握。并在對(duì)《霸王卸甲》進(jìn)行解讀和演繹的過(guò)程中,力求在各流派《霸王卸甲》本身所蘊(yùn)含的音樂(lè)風(fēng)格的把握上加以研究,使傳統(tǒng)琵琶武曲在不斷的傳承和創(chuàng)新中得到發(fā)展。本文在前人研究的基礎(chǔ)上,結(jié)合當(dāng)前琵琶作品的創(chuàng)作以及目前的演奏情況結(jié)合自身的演奏經(jīng)歷,對(duì)這首曲子進(jìn)行細(xì)致的分析總結(jié)。
[Abstract]:The pipa has a history of more than two thousand years and is one of the oldest plucked instruments. By the 15th century AD, the types of pipa music had also changed, and "Wen qu" and "Wu qu" appeared. Most of these works were difficult to play and the timbre changed frequently, which greatly enriched the artistic expression and artistic characteristics of the pipa. In this paper, the music Noumenon, performance characteristics and creative characteristics of the Wusai "overlord disarm armour" is analyzed. Playing this piece of music will help the performer to better excavate and express the characteristics of Wuqu, and put forward new requirements and challenges to grasp the tune and understand the ideological connotation of Wuqu. This paper probes into the creative characteristics and artistic characteristics of the pipa's Wu qu "overlord and unarmor", hoping that it will have certain practical significance for the inheritance and innovation of the pipa art. It is a complicated and long process to deal with the performance of overlord disarming armour. Therefore, through scientific guidance, to establish a good style of music and emotional concepts, from various aspects to improve the understanding of music and creative characteristics of grasp, it is possible to better solve this problem. From the point of view of the creative and artistic characteristics of the pipa Wuqu "overlord and unarmour", this paper sums up his own research experience in combination with the practical experience of playing, and supplements and combs the exploration of the pipa's Wu qu. Based on the analysis of the artistic characteristics and artistic characteristics of the pipa's Wu qu "the overlord and the disarm of the armour", this paper explores and excavates the artistic charm of the pipa's traditional works. This paper makes a comparative analysis of the creative and artistic characteristics of different schools of "overlord and unarmour" in order to deepen the understanding and mastery of the music. And in the process of interpretation and deduction of "overlord unloading armour", the author tries to study the musical style contained in all schools of "overlord unloading armour", so as to make the traditional pipa Wu song develop in the process of continuous inheritance and innovation. On the basis of previous studies, this paper analyzes and summarizes this piece of music in detail, combining with the creation of the current pipa works and the current performance situation combined with its own performance experience.
【學(xué)位授予單位】：山東藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J632.33

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