本文選題：民族風(fēng)格 + 大提琴�。� 參考：《中央音樂學(xué)院》2015年碩士論文

【摘要】：大提琴曲《采茶謠》這首作品是王連三在1952年創(chuàng)作的。大提琴在我國(guó)發(fā)展的較晚,作品的創(chuàng)作,尤其是具有中國(guó)民族氣質(zhì)大提琴作品的創(chuàng)作更是在大提琴傳入中國(guó)很久才出現(xiàn)。這部作品是較早出現(xiàn)的具有中國(guó)民族氣質(zhì)的杰作。本文在研究這部作品時(shí)發(fā)現(xiàn),本體方面,在旋法特點(diǎn)和調(diào)式上都遵循了我國(guó)傳統(tǒng)民歌《采茶謠》的基本發(fā)展思路,在調(diào)式調(diào)性方面,雖然設(shè)計(jì)的也并不復(fù)雜,但是經(jīng)過不同的演奏技法設(shè)計(jì)和指法調(diào)整,色彩上不斷變化,形成了—種不同于民歌氣質(zhì)的風(fēng)格特征。而且在主題發(fā)展方面,也遵從了器樂作品的結(jié)構(gòu)原則,貫穿在作品的各個(gè)部分中。這部大提琴作品中散發(fā)著濃郁的民族情懷與價(jià)值取向,對(duì)國(guó)家的熱愛、對(duì)民族自豪感的抒懷,以及對(duì)民族文化的表達(dá),在當(dāng)時(shí)的中國(guó)大提琴領(lǐng)域具有重要的文化意義。它不僅是探索了表現(xiàn)中華民族的文化和心理,也是我國(guó)大提琴協(xié)奏創(chuàng)作領(lǐng)域的—次大膽嘗試,還是這種樂器藝術(shù)在與民族文化、民族觀念、西方技法等進(jìn)行融合的第一次成功的探索。
[Abstract]:The cello song "Tea picking Ballads" was written by Wang Liansan in 1952. The cello developed late in our country, and the creation of works, especially the cello with Chinese national temperament, appeared only long after the cello was introduced into China. This work is a masterpiece with Chinese ethos that appeared earlier. While studying this work, this paper finds that, in the aspect of ontology, the characteristics and modes of rotation follow the basic development thinking of traditional folk song "Tea picking Ballads" in our country, although the design is not complicated in terms of the mode of tonality. But after different playing techniques design and finger adjustment, color changes, forming a style different from the temperament of folk songs. And in the development of the theme, it obeys the structure principle of instrumental music works and runs through all parts of the works. This cello works exudes strong national feelings and value orientation, the love of the country, the expression of national pride, as well as the expression of national culture, which has important cultural significance in the field of Chinese cello at that time. It not only explores the culture and psychology of the Chinese nation, but also represents a bold attempt in the field of cello ensemble in our country. It is also a bold attempt by the art of this musical instrument in relation to national culture and national concepts. Western techniques and other fusion of the first successful exploration.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J622.3

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 夏青;;大提琴演奏技術(shù)——揉音(顫指)訓(xùn)練之我見[J];音樂生活;2011年09期

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本文編號(hào)：2052237