本文選題：彝族打歌 + 傳承方式　； 參考：《大理大學》2016年碩士論文

【摘要】：打歌,又稱“踏歌”,是彝族地區(qū)民間活動的重要組成部分;是一種集歌舞樂三位一體的傳統(tǒng)舞蹈形式;真實反映了彝族人民生產(chǎn)生活并成為人民精神寄托和表達情感的自娛性活動。大理地區(qū)的巍山彝族回族自治縣、南澗彝族自治縣、漾濞彝族自治縣以及祥云是彝族的聚居地。自2008年巍山縣打歌被國務(wù)院列入非物質(zhì)文化遺產(chǎn)項目以來,隨著經(jīng)濟全球一體化的發(fā)展和現(xiàn)代化進程的推進,彝族打歌的生態(tài)環(huán)境發(fā)生了巨大的變化,傳承與保護也面臨越來越嚴峻的考驗�；顟B(tài)保護是針對非物質(zhì)文化遺產(chǎn)提出的保護之路,區(qū)別于物質(zhì)文化“博物館式”的靜態(tài)保護,是將“原汁原味”的原生態(tài)文化真實展現(xiàn),在不改變其原有的文化特色上進行創(chuàng)新與發(fā)展,使其帶來經(jīng)濟效益。因此我們要尋求一條適合大理地區(qū)彝族打歌的活態(tài)保護模式的新思路。本文針對大理彝族地區(qū)打歌的采集與分類,利用文獻研究法將采集的資料分析整理,得出打歌的保護現(xiàn)狀及面臨的問題;結(jié)合民族學田野調(diào)查法了解當?shù)氐拇蚋杌顟B(tài)傳承方式進行對比分析,得出一條在適度開發(fā)利用打歌帶來經(jīng)濟效益同時,將資金二度用于對打歌創(chuàng)作與發(fā)展的活態(tài)保護模式之路。第一部分主要是講述了打歌的概況,從打歌的歷史背景、打歌的民俗活動、打歌的分類三個方面。第二部分是對彝族地區(qū)打歌的活態(tài)傳承方式的分析,巍山彝族的“博物館與傳習所并存”方式、祥云彝族“儀式中的舞臺展演”方式、南澗彝族的“眾人參與”方式、漾濞彝族的“精英帶領(lǐng)”方式。第三部分主要是對大理彝族地區(qū)打歌的活態(tài)保護比較分析,得出現(xiàn)彝族打歌存在的問題。第四部分是對非物質(zhì)文化“活態(tài)”的再思考,分析非物質(zhì)文化活態(tài)保護中“活”字的不同涵義;以及探討傳承與保護中的動因和舉措。
[Abstract]:Playing songs, also known as "treading songs", is an important part of the folk activities in the Yi nationality area, and is a traditional dance form of singing and dancing. It truly reflects the Yi people's production and life, and become the people's spiritual sustenance and expression of emotional self-entertainment activities. Weishan Yi Hui Autonomous County, Nanjian Yi Autonomous County, Yangbi Yi Autonomous County and Xiangyun are the inhabited areas of Yi nationality in Dali area. Since Weishan County Dagao was listed by the State Council as an intangible cultural heritage project in 2008, with the development of global economic integration and the advancement of modernization, the ecological environment of the Yi people has undergone tremendous changes. Inheritance and protection are also facing a more and more severe test. The living state protection is the way to protect the intangible cultural heritage, which is different from the static protection of the material culture "museum style". It is the true display of the original ecological culture of the "original taste". Innovation and development are carried out without changing its original cultural characteristics to bring economic benefits. Therefore, we should seek a new way to protect the living state of the Yi nationality in Dali area. According to the collection and classification of the songs in the Dali Yi nationality area, the paper analyzes the collected data by using the literature research method, and obtains the current situation of the protection of the songs and the problems it faces. Based on the field investigation of ethnology, this paper makes a comparative analysis of the local ways of inheriting the living state of playing songs, and finds out a way of protecting the living state of the creation and development of playing songs by using the funds twice at the same time of bringing economic benefits through the appropriate development and utilization of playing songs. The first part is mainly about the general situation of playing songs, from the historical background of playing songs, folk activities of playing songs, the classification of playing songs. The second part is the analysis of the way of living inheritance of singing in Yi area, the coexistence of museum and tradition of Yi nationality in Weishan, the "stage exhibition in ceremony" of Xiangyun Yi people, and the "public participation" mode of Yi nationality in Nanjian. Yangbi Yi people's "elite leadership" way. The third part is a comparative analysis of the live-state protection of the songs of the Yi nationality in Dali. The fourth part is the rethinking of the "living state" of the immaterial culture, the analysis of the different meanings of the word "alive" in the protection of the immaterial cultural living state, and the discussion of the causes and measures in the inheritance and protection.
【學位授予單位】：大理大學
【學位級別】：碩士
【學位授予年份】：2016
【分類號】：J607
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本文編號：2016593