本文選題：揚(yáng)琴演奏 + 內(nèi)心視覺��； 參考：《藝術(shù)科技》2016年11期

【摘要】：揚(yáng)琴在我國(guó)已經(jīng)有了較長(zhǎng)的演奏歷史。揚(yáng)琴音色明亮歡脫,恰如高山流水,叮咚作響,又如大珠小珠落玉盤般清脆動(dòng)人。揚(yáng)琴在大型演唱會(huì)會(huì)表演中也獨(dú)樹一幟,它適合于獨(dú)奏、合奏、伴奏等多種形式,是演唱會(huì)的重要角色。揚(yáng)琴的音色突出,對(duì)演奏的技法要求也很高,演奏者必須要心無旁騖,心態(tài)平和、寧靜,專注于揚(yáng)琴的演奏,才能真正讓揚(yáng)琴表現(xiàn)出其動(dòng)人的音律。因此,本文將從表演心理學(xué)的視角,分析如何將內(nèi)心視覺的相關(guān)理論應(yīng)用于揚(yáng)琴演奏中,讓演奏者在心理素質(zhì)層面上有所提高,進(jìn)而保證揚(yáng)琴演奏完整流暢地進(jìn)行。
[Abstract]:The yangqin has a long history of playing in our country. Yangqin sound bright Huan, just like high mountain water, Dingdong sound, as big beads and beads falling jade plate as crisp and moving. The yangqin is also unique in large concert performance, it is suitable for solo, ensemble, accompaniment and other forms, it is an important role in concert. The yangqin has outstanding timbre and high requirements for playing techniques. Players must concentrate on the performance of the yangqin without distraction, peace of mind, and focus on the performance of the yangqin, in order to truly let the yangqin show its moving rhythm. Therefore, from the perspective of performing psychology, this paper will analyze how to apply the theory of inner vision to the performance of yangqin, so as to improve the players' psychological quality, and then ensure that the yangqin plays smoothly and completely.
【作者單位】： 山西藝術(shù)職業(yè)學(xué)院;
【分類號(hào)】：J632.51

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本文編號(hào)：2014280