本文選題：鮑羅丁 + 《小組曲》��； 參考：《東北師范大學(xué)》2017年碩士論文

【摘要】：鮑羅丁的音樂(lè)創(chuàng)作活動(dòng)始于19世紀(jì)50年代,他創(chuàng)作的一些聲樂(lè)浪漫曲、鋼琴小品和室內(nèi)樂(lè)等作品早已被奉為俄羅斯音樂(lè)的經(jīng)典之作。1862年結(jié)識(shí)巴拉基列夫,成為新俄羅斯樂(lè)派(強(qiáng)力集團(tuán))的重要成員。在通過(guò)搜集網(wǎng)上資料、翻閱圖書(shū)的過(guò)程中發(fā)現(xiàn)關(guān)于鮑羅丁的資料并不豐富,現(xiàn)有的資料大多是關(guān)于鮑羅丁生平的介紹與他的交響音畫《在中亞細(xì)亞大草原》、《第二號(hào)弦樂(lè)四重奏》、歌劇《伊戈?duì)柾酢�、《第二交響曲》的分析。在本就不多的鋼琴作品�?他的《小組曲》尤為重要。關(guān)于《小組曲》的文獻(xiàn)只有簡(jiǎn)單的介紹,本文是以筆者對(duì)作品的理解與分析以及搜集到的國(guó)內(nèi)外相關(guān)期刊文獻(xiàn)為基礎(chǔ),旨在更好的研究鮑羅丁《小組曲》的音樂(lè)結(jié)構(gòu)和內(nèi)容,為解讀其作品的演奏風(fēng)格特點(diǎn)提供更多的幫助,更進(jìn)一步的揭示這部作品的研究?jī)r(jià)值與欣賞價(jià)值。本文主要是從三個(gè)部分進(jìn)行闡述與說(shuō)明,第一部從19世紀(jì)俄羅斯民族樂(lè)派以及五人強(qiáng)力集團(tuán)的歷史背景揭示鮑羅丁的音樂(lè)創(chuàng)作歷程和藝術(shù)成就,通過(guò)收集各類的專業(yè)文獻(xiàn),對(duì)其進(jìn)行整理研究,了解鮑羅丁的音樂(lè)貢獻(xiàn)。第二部分從《小組曲》的創(chuàng)作背景入手,以俄羅斯學(xué)術(shù)研究習(xí)慣為參照對(duì)作品進(jìn)行了曲式、和聲、音樂(lè)作品內(nèi)容、與其他作品類比等方面的詳盡分析。第三部分基于第二部分分析的基礎(chǔ)上更細(xì)致的從音色、踏板、運(yùn)音法等幾個(gè)方面來(lái)闡述其演奏風(fēng)格而不是演奏方法,其目的是為了從演奏和欣賞兩個(gè)角度更準(zhǔn)確地認(rèn)識(shí)和感受俄羅斯民族音樂(lè)的藝術(shù)性。對(duì)于的標(biāo)題性組曲和套曲的研究雖不占少數(shù),但俄羅斯標(biāo)題組曲卻寥寥無(wú)幾,所以筆者希望通過(guò)對(duì)鮑羅丁《小組曲》的研究可以對(duì)19世紀(jì)俄羅斯民族樂(lè)派的標(biāo)題性組曲進(jìn)行填充。也同時(shí)希望通過(guò)本篇論文,了解五人強(qiáng)力集團(tuán)、了解鮑羅丁的生平、作品風(fēng)格特點(diǎn)和藝術(shù)特征,從而對(duì)俄羅斯民族音樂(lè)產(chǎn)生更加深入的了解和更為準(zhǔn)確的詮釋。
[Abstract]:Borodin's musical creation began in the 1850s. His works, such as romantic vocal music, piano sketches and chamber music, have long been regarded as classics of Russian music. To become an important member of the New Russian Music Group. In the course of reading the books through the collection of online data, I found that the information about Borodin was not abundant. Most of the material available is an introduction to Borodin's life and an analysis of his symphonic paintings "in the Central Asian Prairie", "string Quartet No. 2", "King Igor", and "Symphony No. 2". Among his few piano works, his group music is especially important. This paper is based on the author's understanding and analysis of the works and the literature collected from domestic and foreign journals, in order to better study the musical structure and content of Borodin's Group. It provides more help for the interpretation of the characteristics of his performance style, and further reveals the research value and appreciation value of this work. This article is mainly from three parts to elaborate and explain. The first part reveals Borodin's musical creation process and artistic achievement from the historical background of the Russian national music school and the five-person strong group in the 19th century, and collects all kinds of professional documents. Collate its research, understand the music contribution of Borodin. The second part starts with the background of the creation of "group music" and makes a detailed analysis of the composition, harmony, music content, analogy with other works and so on, taking the Russian academic research habits as the reference. The third part based on the second part of the analysis on the basis of more detailed from the tone color, pedal, phonetic method and other aspects to elaborate its performance style rather than playing method, Its purpose is to understand and feel the artistry of Russian folk music more accurately from two angles of playing and appreciating. Although there are not a few studies on title suites and ensembles, there are very few in Russia. Therefore, the author hopes to fill the title suites of the 19 th century Russian national music through the study of Borodin's Suite. At the same time, I hope that through this paper, I can understand the five people's powerful group, understand the life, style and artistic features of Bowring, so as to have a deeper understanding and more accurate interpretation of Russian folk music.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J624.1

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本文編號(hào)：2010753