本文選題：聲母 + 聲帶�。� 參考：《河南大學(xué)》2016年碩士論文

【摘要】：聲樂是一門語言的藝術(shù),對(duì)聲樂理論和技法的研究離不開普通語音學(xué)的支撐。介于聲樂理論和普通語音學(xué)之間的聲樂語音學(xué)屬于交叉學(xué)科,受語音學(xué)發(fā)音方法和發(fā)音規(guī)律的制約,聲樂演唱過程中不但需要遵循語言存在的意義規(guī)范,同時(shí)又要滿足聲樂藝術(shù)科學(xué)發(fā)聲規(guī)律的要求和審美特性。從語音學(xué)角度來講,我們之所以會(huì)出現(xiàn)演唱我們的母語——漢語聲樂作品時(shí)被老百姓形容為“嘴里像含著什么東西”、唱外國聲樂作品時(shí)外國人不認(rèn)同等諸如此類的尷尬,是源于我們對(duì)輔音這一語言環(huán)節(jié)中較為重要的元素缺乏最起碼的重視和推敲。中國漢語普通話的22個(gè)輔音中,除了舌根鼻音[?]只能出現(xiàn)在音節(jié)末尾,不能充當(dāng)聲母之外,其余21個(gè)輔音又叫“聲母”、“字頭”,聲母的清晰與否直接影響著歌唱的質(zhì)量。本論文試從塞音、邊音、擦音、鼻音這四類聲母的研究與探討,結(jié)合發(fā)音部位和發(fā)音效果,對(duì)不同漢語聲樂作品中出現(xiàn)的典型聲母類型進(jìn)行舉例分析,運(yùn)用發(fā)聲器官解剖圖譜和譜例進(jìn)行直觀的比對(duì),研究各類聲母在演唱過程中氣流的流速、方向以及與唇、舌、齒、牙、喉的緊密聯(lián)系。有助于建立演唱思維的理性與清晰、氣息的流動(dòng)與穩(wěn)定、咬字的準(zhǔn)確與靈活、音色的干凈與圓潤(rùn)、共鳴的渾厚與統(tǒng)一、發(fā)聲的流暢與科學(xué)。
[Abstract]:Vocal music is an art of language. The research of vocal music theory and technique can not be separated from the support of common phonetics. The phonetics between vocal music theory and general phonetics belongs to a cross-discipline, which is restricted by phonetics pronunciation methods and pronunciation rules. In the process of vocal music singing, not only the meaning norms of language exist should be followed. At the same time, we should meet the requirements and aesthetic characteristics of vocal art science. From the perspective of phonetics, the reason why we can sing our native Chinese vocal music works is described by ordinary people as "something in their mouths," and foreigners do not agree with foreign vocal music works, and so on. This is due to the lack of attention and scrutiny of consonants, which are important elements in the language link. Of the 22 consonants in Chinese mandarin, except for the nasals of the tongue [?] It can only appear at the end of syllable, but not as the consonant. The other 21 consonants are also called "consonants" and "heads". The clarity of initials directly affects the quality of singing. This paper tries to analyze the typical consonant types in different Chinese vocal music works through the research and discussion of the four kinds of consonants: stop-tone, edge-tone, eraser and nasal sound, combined with the pronunciation position and the pronunciation effect. By using anatomic atlas of vocal organs and spectrum examples, the flow velocity, direction and close relationship with lips, tongue, teeth, teeth and larynx in singing process of all kinds of consonants were studied. It is helpful to establish the rationality and clarity of singing thinking, the flow and stability of breath, the accuracy and flexibility of pronunciation, the cleanliness and roundness of timbre, the consistency and unity of resonance, and the fluency and science of voice.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J616.1

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本文編號(hào)：2002937