本文選題：蒙古族音樂風(fēng)格 + 民族樂風(fēng)體系　； 參考：《音樂創(chuàng)作》2017年11期

【摘要】：民族情感體系下的樂風(fēng)的頌揚(yáng)是介乎于歷史情感和人文精神融入下的民族音樂集中展現(xiàn)形式,其本質(zhì)的音樂矛盾觀點(diǎn)有著基本的情感對立和音樂意識導(dǎo)出,相對于集中的民族音樂的意象塑造是基于對歷史人文精神形象的高度概括,雖無具體的音樂形象體現(xiàn),但是對于音樂場景的集中性刻畫卻有著令人陶醉的現(xiàn)場魅力。其音樂意象魅力表現(xiàn)形式區(qū)別于相對潛在意識存在的音樂主觀印象,更加突出凹陷出來的是在民族藝術(shù)情態(tài)框架下的史詩意象元素。基于基本的意識矛盾觀點(diǎn)來看,蒙古族樂風(fēng)頌揚(yáng)下的史詩格調(diào)形成更能凸顯出這一音樂意象表現(xiàn)規(guī)律,符合于歷史各個(gè)時(shí)期的基本音樂實(shí)踐認(rèn)知,在民族信仰的情感框架下寄托于人類對于自然萬物的敬畏和頌揚(yáng),以頌揚(yáng)式的音樂語言為情感依托,從而形成符合于歷史規(guī)律的音樂史詩格調(diào)。這種格調(diào)雖然來源于人們對歷史的基本情感認(rèn)知并與人們的勞動(dòng)實(shí)踐產(chǎn)生理想化的情感共鳴,但站在民族樂風(fēng)基本頌揚(yáng)的層面來看,其最本質(zhì)的特點(diǎn)還是民族音樂情感的形象化和藝術(shù)靈魂的意象化,通過對于以往音樂體系的眾多總結(jié)從而不斷超脫,最終形成基本的民族音樂史詩格調(diào)。
[Abstract]:The eulogy of music style under the national emotion system is a concentrated form of national music between historical emotion and humanistic spirit, and its essence of musical contradiction has the basic emotional opposition and music consciousness derived. Compared with the concentrated national music image molding is based on the historical humanistic spirit image highly summarized although there is no specific music image but the concentrated portrayal of the music scene has a intoxicating scene charm. The expressive form of its musical image charm is different from the subjective impression of music with relative latent consciousness, and what is more prominent is the epic image element under the frame of national artistic modality. From the viewpoint of basic contradiction of consciousness, the formation of epic style under the praise of Mongolian music style can highlight the law of the expression of music image, and accord with the basic music practice cognition in every period of history. Under the emotional frame of national belief, it is based on the reverence and praise of human beings for all things, and based on the extolling musical language, the style of musical epic is formed in accordance with the law of history. Although this style is derived from people's basic emotional cognition of history and has an idealized emotional resonance with people's labor practice, it is viewed from the perspective of the basic praise of the national music style. Its most essential characteristic is the visualization of national music emotion and the image of artistic soul, through the numerous summary of the previous music system, it is constantly detached, and finally forms the basic national music epic style.
【作者單位】： 內(nèi)蒙古大學(xué)藝術(shù)學(xué)院;
【分類號】：J607
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本文編號：1990124