本文選題：張ng + 大提琴�。� 參考：《江西師范大學(xué)》2017年碩士論文

【摘要】：大提琴在中國發(fā)展起步比較晚,創(chuàng)作的作品相對來說也不像西方作品那么豐富,而張ng的這首大提琴獨(dú)奏曲《路》是改革開放后的作品。由于創(chuàng)作時間等原因,了解的人也不多,相關(guān)的資料文獻(xiàn)更是少之又少。本文主要從張ng的生平介紹以及創(chuàng)作背景入手,逐步從音樂作品本體的曲式結(jié)構(gòu)、主題、織體、調(diào)式調(diào)性、演奏技法、以及情感把握等方面,加上自己在演奏實(shí)踐中這首作品進(jìn)行較為詳細(xì)深入的分析。希望這是一篇較為接近作曲家創(chuàng)作意圖,并且較為系統(tǒng)完整的著作。
[Abstract]:The cello started relatively late in China, and its works are not as rich as the western ones, and Zhang ng's cello solo is a work after the reform and opening up. Due to creative time and other reasons, not many people understand, the relevant documents are even less. This article mainly from Zhang ng's life introduction and the creation background, step by step from the music work Noumenon music form structure, the theme, the texture, the mode style tonality, the performance technique, as well as the emotion grasps and so on. In addition, his own practice in the performance of this work for a more detailed and in-depth analysis. I hope this is a more close to the composer's creative intention, and more systematic and complete works.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J622.3

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 于亞龍;;大提琴曲《節(jié)日的天山》音樂分析及演奏詮釋[J];黃河之聲;2014年02期

2 黃婷;;淺談大提琴與中國音樂文化的融合[J];音樂時空;2014年01期

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本文編號：1968066