本文選題：層層水瀾 + 音樂分析�。� 參考：《山西大學(xué)》2017年碩士論文

【摘要】：新中國成立以來,古箏的發(fā)展日益迅猛,人們對中國傳統(tǒng)文化的喜愛使得大部分作曲家都躍躍欲試,試圖涉足一下古箏作品,基于此便涌現(xiàn)了大量的古箏樂曲,大部分作曲家的箏曲創(chuàng)作都是以傳統(tǒng)箏樂為基礎(chǔ),并在其基礎(chǔ)上進(jìn)行創(chuàng)新,而其中陶一陌先生,他的作品無疑是為現(xiàn)代古箏音樂開辟了先河,他的作品無論從織體、和聲、還是節(jié)奏上都區(qū)別于傳統(tǒng)的古箏樂曲的創(chuàng)作,他在創(chuàng)作中將我國傳統(tǒng)寫意理念與西方現(xiàn)代化思維結(jié)合在一起,并且融入了西方的多種音樂創(chuàng)作手法。相比較于其他現(xiàn)代古箏作品,陶一陌先生的作品對于演奏者來說是一個(gè)新的難度,首先需要演奏者對曲目進(jìn)行完整的、細(xì)致的了解,并且在演奏中還要加以自己的理解力及想象力,同時(shí)在演奏技術(shù)上對演奏者也是有較高的要求,例如曲目中常出現(xiàn)的非常規(guī)性節(jié)奏,以及雙手快速交替彈奏,以及對單音線條的細(xì)致把握和情感表達(dá)。本文將對陶一陌先生的現(xiàn)代箏曲作品進(jìn)行羅列與解析,通過筆者對陶一陌先生的作品《層層水瀾》的學(xué)習(xí),并結(jié)合自身的學(xué)習(xí)與演奏實(shí)踐來分析陶一陌先生的古箏作品及其創(chuàng)作手法。我將會從陶一陌先生的作品的創(chuàng)作理念、創(chuàng)作特點(diǎn)、還有演奏的技法以及情感的表現(xiàn)等各個(gè)方面進(jìn)行羅列與分析,為演奏現(xiàn)代派箏曲的演奏者提供一些參考。
[Abstract]:Since the founding of the people's Republic of China, the development of guzheng has been increasing rapidly. People's love for Chinese traditional culture has made most composers eager to try and try to set foot in guzheng works. Based on this, a large number of guzheng music has emerged. Most composers' creation of Zheng music is based on the traditional Zheng music and innovates on the basis of it. Among them, Mr. Tao Yimo, his work is undoubtedly a pioneer for modern zither music, his works whether from texture, harmony, Or rhythm is different from the creation of traditional zither music, he combines our traditional freehand brushwork with western modern thinking in the creation, and into a variety of Western music creation techniques. Compared with other modern guzheng works, Mr. Tao Yimo's works are a new difficulty for the performers. First of all, they need a complete and detailed understanding of the repertoire. They also have to have their own understanding and imagination in the performance, and they also have higher requirements for the players in the playing techniques, such as the unconventional rhythm that often appears in the repertoire, and the rapid alternation of the hands. As well as the single-tone line of careful grasp and emotional expression. This paper will list and analyze Mr. Tao Yimo's modern Zheng music, and learn from the author's works, Combined with their own learning and playing practice to analyze Mr. Tao Yimo's Zheng works and their creative techniques. I will list and analyze the creative ideas, characteristics, techniques and emotional performance of Mr. Tao Yimo's works so as to provide some references for the performers of modern Zheng music.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J632.32

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本文編號：1962567