本文選題：荀勖 + 笛律��； 參考：《南京藝術(shù)學(xué)院學(xué)報(bào)(音樂與表演)》2017年02期

【摘要】：荀勖制定笛律,引起后世眾多關(guān)注,呂才制作尺八,后世無人研究,究其原因,荀勖"笛律"《宋書》《晉書》記載甚詳,而呂才所設(shè)計(jì)的"尺八",新舊《唐書》的記載寥寥數(shù)語,無法得其要領(lǐng)。對尺八缺少研究,是因?yàn)槲墨I(xiàn)無記載而無法研究,并不意味對尺八制作工藝的研究無意義。本文欲從荀勖"笛律"設(shè)計(jì)的"泰始笛"與呂才所設(shè)計(jì)之"尺八"的異同,從文獻(xiàn)分析入手,結(jié)合自己六十余年簫笛制作實(shí)際,提出對尺八進(jìn)一步研究的設(shè)想和制作驗(yàn)證的新方法,冀望能與同好群策群力,進(jìn)一步解開泰始笛和尺八制作的歷史謎案。
[Abstract]:Xunxu drew up the rules of flute, which attracted much attention from later generations. Lu Cai produced ruler eight, but no one studied it later. The reason for this is that Xunxu "the Book of Song Dynasty" and "Jin Book" have very detailed records, while Lu Cai's "ruler eight" and the new and old "Tang Book" have very few words to record. You can't get the point. The lack of research on the eight is because there is no record in the literature, which does not mean that there is no significance in the study of the making process of the eight. Based on the similarities and differences between Xunxu's "Taishidi" and Lu Cai's "ruler eight" designed by Xun Xu, this paper begins with the literature analysis, and combines the practice of making flute with his own flute for more than 60 years. This paper puts forward a new method for further study and verification of the ruler eight, hoping to further solve the historical mystery of Taishidi and the production of the ruler eight by working together with one another.
【作者單位】： 上海藝術(shù)研究所研究部;
【分類號】：J632.1

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本文編號：1962159