本文選題：金經(jīng)言 + 費(fèi)利克斯·瑪麗亞·伽茨��； 參考：《星海音樂學(xué)院學(xué)報(bào)》2017年03期

【摘要】：金經(jīng)言先生譯著《德奧名人論音樂和音樂美》的出版不僅向我們呈現(xiàn)出一幅德國近代音樂美學(xué)理論發(fā)展的全景畫面,而且讓我們能夠從歷史的角度,了解德奧音樂美學(xué)學(xué)科的發(fā)展歷程及其基本的學(xué)術(shù)成果,將為我們深刻理解音樂美學(xué)學(xué)科屬性以及學(xué)科的研究對象、研究范疇、研究方法等學(xué)科基礎(chǔ)性問題提供重要的幫助,為中國當(dāng)代音樂美學(xué)學(xué)科回到"原點(diǎn)(典)"提供便捷的理論通道。
[Abstract]:The publication of Mr. Jin Jingyan's translation of "German and Austrian Celebrity on Music and Music Beauty" not only presents us with a panoramic picture of the development of modern German music aesthetics theory, but also enables us to take a historical perspective. Understanding the course of development and the basic academic achievements of the subject of music aesthetics in Germany and Austria will provide an important help for us to understand deeply the nature of the subject of music aesthetics and the basic problems of the subject, such as the object of study, the category of research, the research method, and so on. It provides a convenient theoretical channel for Chinese contemporary music aesthetics to return to the origin.
【作者單位】： 山東濰坊學(xué)院音樂學(xué)院;
【分類號】：H33;J601
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本文編號：1954048