本文選題：揚(yáng)琴 + 起源　； 參考：《西安音樂學(xué)院》2017年碩士論文

【摘要】：揚(yáng)琴是一件兼具世界性與民族性的古老的擊奏弦鳴樂器,是立于中國文化之林中一棵枝繁葉茂的大樹。不僅足跡遍布?xì)W、亞、美、大洋洲等數(shù)十個(gè)地區(qū),也在中國被民間音樂注入了新的血液開始了新的繁衍。關(guān)于揚(yáng)琴的起源有諸多的說法,筆者將中國揚(yáng)琴起源被國內(nèi)學(xué)者普遍認(rèn)可的三種說法,以歷史古籍文獻(xiàn)為據(jù),把起源涉及到的古樂器與起源地區(qū)做進(jìn)一步資料整理、補(bǔ)充與前人研究結(jié)論對(duì)比,分析關(guān)于三種起源說的資料依據(jù)與結(jié)論實(shí)證,確認(rèn)了揚(yáng)琴與古代擊奏弦鳴樂器的密切聯(lián)系。同時(shí)將世界揚(yáng)琴分布地區(qū)、稱呼、形制發(fā)展做簡單介紹,體現(xiàn)揚(yáng)琴在世界民族音樂特征中的發(fā)展演變。接著筆者就明末清初揚(yáng)琴傳入中國的中外歷史背景與海陸兩種傳入方式簡要分析。從經(jīng)濟(jì)、政治、文化方面論述揚(yáng)琴傳入中國的客觀性與必然性;以及揚(yáng)琴能夠扎根中國民間音樂土壤的歷史條件。最后筆者就揚(yáng)琴在中國民族化進(jìn)程中外部形制、音樂表現(xiàn)、社會(huì)功能等方面結(jié)合歷史資料整理論述,為揚(yáng)琴成為我國傳統(tǒng)民族樂器奠定基礎(chǔ),也為揚(yáng)琴樂器改革、進(jìn)駐高校成為教學(xué)基礎(chǔ)課程埋下伏筆。本文通過整體論述、分類論述、對(duì)比分析等方法,就中國揚(yáng)琴起源、明末清初揚(yáng)琴傳入與揚(yáng)琴在中國初步發(fā)展這三個(gè)方面做探討,為研究揚(yáng)琴的初期發(fā)展提供了具體時(shí)間段的資料論述。
[Abstract]:The yangqin is an ancient instrument with universal and national character. It is a big tree in the forest of Chinese culture. Not only in Europe, Asia, the United States, Oceania and dozens of regions, but also in China by folk music into the new blood began a new reproduction. There are many theories about the origin of the yangqin. The author makes a further arrangement of the origin of the ancient instruments and the region of origin of the Chinese yangqin, which is generally accepted by the domestic scholars and based on the historical literature. Comparing with the previous research conclusions, this paper analyzes the data basis and conclusion of the three origin theories, and confirms the close relationship between the yangqin and the ancient percussion instruments. At the same time, the development of the world yangqin distribution region, address and form is introduced briefly, which reflects the development and evolution of the yangqin in the world folk music characteristics. Then the author briefly analyzes the historical background of yangqin's introduction into China in the late Ming and the early Qing Dynasty and the two ways of introducing it by sea and land. This paper discusses the objectivity and inevitability of the yangqin's introduction into China from the aspects of economy, politics and culture, and the historical conditions under which the yangqin can take root in the soil of Chinese folk music. Finally, the author expounds the external shape, music performance and social function of the yangqin in the process of Chinese nationalization, combining with the historical data, to lay the foundation for the yangqin to become a traditional national musical instrument in our country, and also for the reform of the yangqin instrument. Entering colleges and universities to become the basic course of teaching laid down the foreshadowing. In this paper, the origin of Chinese yangqin, the introduction of yangqin in the late Ming and early Qing dynasties and the initial development of yangqin in China are discussed through the methods of overall discussion, classification and comparative analysis. For the study of the early development of the yangqin to provide a specific time period of material discussion.
【學(xué)位授予單位】：西安音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J632.51

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本文編號(hào)：1935263