本文選題：岫巖 + 太平鼓��； 參考：《中國音樂》2017年04期

【摘要】：本文以一次"家譜開光"還愿儀式為研究個案,對岫巖祭祖儀式音樂進行了全面的形態(tài)分析。詳細記錄了整場儀式的用樂流程,從通用性、穿插性和專用性角度歸納儀式所用52首曲調(diào),并將其分為吟誦性、敘述性和抒情性三類表情類型。在結(jié)構(gòu)形式方面,將其總結(jié)為平行性結(jié)構(gòu)、對比性結(jié)構(gòu)、起承轉(zhuǎn)合式結(jié)構(gòu)和擴展性結(jié)構(gòu)。最后,將部分曲調(diào)與相關(guān)曲調(diào)進行比較,發(fā)現(xiàn)其與江蘇民歌、山東民歌和東北"跳神"音樂的聯(lián)系。
[Abstract]:In this paper, the author makes a comprehensive analysis of Xiuyan ancestor worship ritual music by taking a "family tree lighting" vows as a case study. The process of using music in the whole ceremony is recorded in detail. 52 tunes used in the ceremony are summed up from the perspective of generality, interspersation and specificity, and are divided into three types: recitation, narration and lyricism. In terms of structural form, it is summarized as parallel structure, comparative structure, take-through structure and extensible structure. Finally, by comparing some tunes with related tunes, we find out the relationship between them and Jiangsu folk songs, Shandong folk songs and Northeast "jumping God" music.
【作者單位】： 沈陽音樂學院;
【分類號】：J607

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本文編號：1928580