本文選題：《南管詩(shī)意》 + 傳統(tǒng)南音��； 參考：《泉州師范學(xué)院學(xué)報(bào)》2016年03期

【摘要】：《南管詩(shī)意》是臺(tái)灣心心南管樂坊的新作,由當(dāng)代著名南音表演藝術(shù)家王心心創(chuàng)作。該作品既體現(xiàn)出傳統(tǒng)南音古樸細(xì)膩的韻味,又融入了當(dāng)代舞臺(tái)表演的形式,無(wú)論是曲詞內(nèi)容選擇、音樂創(chuàng)作特點(diǎn),還是舞臺(tái)表現(xiàn)形式,都體現(xiàn)了她跨界拼貼創(chuàng)作的一種探索。文章結(jié)合筆者參與《南管詩(shī)意》表演、推廣的過(guò)程體驗(yàn),從《南管詩(shī)意》舞臺(tái)表現(xiàn)的"坐"、"立"、"行"等方面分析其作品結(jié)構(gòu)和表現(xiàn)形式,并對(duì)傳統(tǒng)南音的當(dāng)代傳承發(fā)展與如何遵循"移步不換形"的原則進(jìn)行探討。
[Abstract]:Nanguan Poetics is a new work of Taiwan Heart South Guanluofang, created by Wang Xinxin, a famous performing artist of Nanyin. This work not only embodies the ancient and delicate charm of the traditional Nanyin, but also melts into the form of contemporary stage performance. Whether it is the choice of the content of lyrics, the characteristics of music creation or the form of stage expression, it embodies a kind of exploration of her cross-boundary collage creation. Based on the experience of the author's participation in the performance of "Nanguan Poetics" and its popularization, this paper analyzes the structure and form of his works from the aspects of "sitting", "standing" and "running" on the stage of "Nanguan Poetics". This paper also discusses the development of traditional Nanyin and how to follow the principle of "moving without changing shape".
【作者單位】： 泉州師范學(xué)院音樂與舞蹈學(xué)院;
【基金】：全國(guó)大學(xué)生創(chuàng)新創(chuàng)業(yè)訓(xùn)練計(jì)劃項(xiàng)目(201510399006) 泉州師范學(xué)院研究生科研基金項(xiàng)目《〈南管詩(shī)意〉創(chuàng)作與移步不換形的思考》的研究成果
【分類號(hào)】：J607

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