發(fā)布時間：2018-05-13 02:13

  本文選題：廟會 + 樂班　； 參考：《江西社會科學(xué)》2016年12期

【摘要】：新中國成立初期的黃山廟會活動頻繁,與政府的推動密切相關(guān)。廟會成為新中國成立初期徽州人熱衷參與的民俗活動,體現(xiàn)了徽州人的宗教信仰、民俗傳統(tǒng)和生活審美標(biāo)準(zhǔn)。廟會活動的舉辦與推廣,不僅是一場徽州民眾集體娛樂的節(jié)日,更是國民意志在民眾生活中的體現(xiàn)。民間吹打樂班是廟會活動的主要承辦者,他們的激情演出,各種吹打儀式的舉行使國家意志不斷地嵌入廟會活動,讓當(dāng)?shù)孛癖姇r刻能感受到國家的"在場",認(rèn)可國家的威嚴(yán)。就這個層面來說,廟會中的吹打樂班也是民眾生活中國家隱性權(quán)力的載體。
[Abstract]:Huangshan temple fairs in the early days of the founding of New China were frequent and closely related to the government's promotion. The temple fair became a folk activity that Huizhou people enthusiastically participated in the early days of the founding of New China, which embodied the religious belief, folk custom tradition and aesthetic standard of life of Huizhou people. The holding and promotion of temple fairs is not only a festival of mass entertainment in Huizhou, but also the embodiment of national will in people's life. Folk music classes are the main organizers of temple fair activities. Their passionate performances and various playing ceremonies make the national will constantly embedded in temple fair activities, so that the local people can always feel the "presence" of the country and recognize the prestige of the country. On this level, the music classes in the temple fair are also the carrier of the hidden power of the state in the life of the people.
【作者單位】： 揚(yáng)州大學(xué)音樂學(xué)院;
【基金】：教育部人文社科基金青年項目“當(dāng)代中國民族管樂藝術(shù)發(fā)展史(1949—2015)”(16YJC760016)
【分類號】：J609.2
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本文編號：1881191