絲綢之路上的龜茲與敦煌音樂圖像研究
發(fā)布時(shí)間:2018-05-11 20:42
本文選題:圖像顯示 + 樂舞圖 ; 參考:《人民音樂》2017年09期
【摘要】:正在學(xué)術(shù)界,對(duì)絲綢之路樂舞文化的研究意義已有很多論述和學(xué)術(shù)界的共識(shí),也取得了很多成果。但絲綢之路上的樂舞圖是豐富的文化寶藏,繼續(xù)展開全面的調(diào)查與分析研究是非常有必要的。尤其是需要從綜合學(xué)科多方面進(jìn)行系統(tǒng)的調(diào)查和深入分析,也非常需要從整體上對(duì)絲綢之路各個(gè)地區(qū)的樂舞圖像進(jìn)行比較研究。在研究方法
[Abstract]:In academic circles, there have been many discussions and academic consensus on the significance of the Silk Road music and dance culture, and a lot of achievements have been made. However, the music and dance chart on the Silk Road is a rich cultural treasure, and it is necessary to continue to carry out comprehensive investigation and analysis. In particular, it is necessary to conduct systematic investigation and in-depth analysis from various aspects of comprehensive disciplines, and also to make a comparative study of the music and dance images of various areas of the Silk Road as a whole. Research methods
【作者單位】: 中央音樂學(xué)院非物質(zhì)文化遺產(chǎn)保護(hù)與研究中心;
【分類號(hào)】:J63
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本文編號(hào):1875510
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