本文選題：黃梅小調(diào) + 風格特色　； 參考：《武漢音樂學(xué)院》2017年碩士論文

【摘要】：黃梅小調(diào)是黃梅地方的一種文化象征。對于黃梅人民來說,黃梅小調(diào)是祖先留下來的一份珍貴的財富。黃梅小調(diào)有著濃郁的地方特色和獨特的人文風情,其內(nèi)容豐富、形式多樣,表現(xiàn)了黃梅人民的喜怒哀樂,反映了他們的生活、愛情、風俗等等,因而深受廣大勞動人民的喜愛。黃梅小調(diào)特色鮮明,內(nèi)容豐富,形式多樣。其旋律具有質(zhì)樸單純的特點:音高與方言相關(guān),節(jié)奏樣式不多卻能夠靈活組合;襯字襯句、倚音、滑音、得兒音以及念白是其地方音樂風格的重要標志,也是黃梅演唱風格的重要因素,還是把握其演唱風格的關(guān)鍵。本文分為四個部分:第一部分:黃梅小調(diào)的概述以及其形成與發(fā)展的生態(tài)背景。黃梅小調(diào)是黃梅地方民歌中的一個很重要的部分,一個地方民歌的形成,往往受到很多因素的影響,本文第一部分首先從黃梅地區(qū)歷史、地理與人文這三個方面對黃梅民歌小調(diào)形成和發(fā)展的生態(tài)環(huán)境進行研究和分析。第二部分:對黃梅小調(diào)按題材分類,并舉例概述。民歌小調(diào)記錄民間的人、事、物,有反映人民勞動生活的,有反映男女婚姻愛情的,有反映民間民俗風情的,都與人民的生活息息相關(guān),充滿著濃郁的地方特色和獨特的人文風情。筆者在文章中一一進行了概述和舉例說明。第三部分:對黃梅小調(diào)的旋律特征進行分析。通過對《中國民間歌曲集成湖北卷黃梅分卷》中所收錄的42首小調(diào)的譜面分析,從調(diào)式、結(jié)構(gòu)、節(jié)奏、唱詞等方面著手研究黃梅小調(diào)的旋律特征,從而使我們對黃梅小調(diào)的風格有一個更深入的了解。第四部分:黃梅小調(diào)的演唱風格研究,這是全文最重要的一部分。一個地方小調(diào)的風格研究歸根結(jié)底就是怎么唱,如何唱,如何把地方風味用歌聲表達出來,這就需要我們對于歌曲里面的地方特色唱法去進行深入剖析。筆者通過拜訪當?shù)鼐哂写硇缘母枋?學(xué)唱黃梅民歌找到了他們一些特色唱法的所在,如滑音、打花舌、念白、襯字襯句的使用等等,筆者在文章中進行舉例說明并將自己學(xué)唱過程中的心得以文字進行詳細說明,相信這對于研究黃梅小調(diào)的風格是很有幫助的。本論文以黃梅地方小調(diào)演唱風格的把握為研究主線,通過分析黃梅小調(diào)的旋律特征和獨具特色的演唱方法,來了解黃梅小調(diào)表現(xiàn)出的風格特色。希望更多的人能通過把握這些演唱方法和特點,來準確的表現(xiàn)黃梅地方民歌的風格。
[Abstract]:Huang Mei minor is a cultural symbol of Huang Mei. For Huang Mei people, Huang Mei minor is a precious treasure left by their ancestors. Huang Mei minor has rich local characteristics and unique humanistic customs, which is rich in content and diverse in form. It shows the joys and sorrows of the Huang Mei people, reflects their life, love, customs and so on, so it is deeply loved by the working people. Huang Mei minor distinctive features, rich in content, diverse forms. Its melody has the simple characteristic: the pitch is related to the dialect, the rhythm style is not many, but the flexible combination; the lining sentence, the leaning sound, the slippery sound, the children's sound and the reading white are the important symbols of the local music style. Huang Mei singing style is also an important factor, or the key to grasp its singing style. This paper is divided into four parts: the first part: the outline of Huang Mei minor and the ecological background of its formation and development. Huang Mei's minor is a very important part of the local folk songs of Huang Mei. The formation of a local folk song is often influenced by many factors. The first part of this paper begins with the history of the area of Huang Mei. Geography and humanity are the three aspects of Huang Mei folk song formation and development of ecological environment research and analysis. The second part: classifies Huang Mei minor according to the subject matter, and gives an example summary. Folk songs record people, things and things in the people's lives, some reflect the working life of the people, some reflect the marriage and love of men and women, and some reflect folk customs and amorous feelings, all of which are closely related to the life of the people. Full of rich local characteristics and unique humanistic customs. The author has carried on the summary and the example in the article one by one. The third part: the analysis of the melody characteristics of Huang Mei minor. Through the analysis of the spectrum of 42 minor in the book "Chinese Folk songs Integration with Hubei Volume Huang Mei", this paper studies the melody characteristics of Huang Mei minor from the aspects of mode, structure, rhythm, lyrics and so on. So that we have a deeper understanding of Huang Mei's minor style. The fourth part: Huang Mei minor singing style research, this is the most important part of the full text. The research on the style of a local minor is, in the final analysis, how to sing, how to sing and how to express the local flavor. By visiting the local representative singers and learning to sing Huang Mei's folk songs, the author finds out where some of their distinctive singing methods are, such as slippery sounds, flamboyant tongues, white reading, and the use of saber-lined sentences, and so on. In this paper, the author gives an example and gives a detailed explanation of his experience in the process of learning and singing, which is believed to be helpful to the study of Huang Mei's style in minor. This paper takes Huang Mei's local minor singing style as the main line of study, through analyzing the melody characteristic and the unique singing method of Huang Mei minor minor, to understand the style characteristic of Huang Mei minor minor. Hope that more people can grasp these singing methods and characteristics to accurately express Huang Mei local folk song style.
【學(xué)位授予單位】：武漢音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J607

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本文編號：1868959