本文選題：梁雷 + 《記憶的弦動——鋼琴與民樂隊協(xié)奏曲》�。� 參考：《音樂藝術(shù)(上海音樂學(xué)院學(xué)報)》2017年02期

【摘要】：文章通過一串記憶、一音、多(弦之一)、聲(弦之二)、一/多(弦之三)、音/聲,以及音(弦之四)7個部分介紹分析了梁雷的《記憶的弦動——鋼琴與民樂隊協(xié)奏曲》,并以"一音多聲"概念對該作品從技術(shù)、意義及其內(nèi)部投射進(jìn)行整體分析和概括,提出了作品中對鋼琴新音色的探索、對民族器樂語言的當(dāng)代認(rèn)識、對西方協(xié)奏曲體裁的思考、關(guān)于中國唐大曲結(jié)構(gòu)的運(yùn)用、東西方文化及語言風(fēng)格的融合、中國傳統(tǒng)文化的現(xiàn)代轉(zhuǎn)換等問題的探討。
[Abstract]:Through a series of memory, one note, many (one string, one string, two strings, one / more, one / more, sound / sound, The paper also introduces and analyzes Liang Lei's Concerto on "string Movement of memory-Piano and Folk Music team" in seven parts of sound (string IV), and analyses and generalizes the works from technology, meaning and internal projection with the concept of "one sound and more sounds". It puts forward the exploration of the new timbre of piano in the works, the contemporary understanding of the national instrumental music language, the thinking of the western concerto genre, the application of the structure of the Chinese Tang Daqu, the fusion of the eastern and western cultures and the language style. Discussion on the modern transformation of Chinese traditional culture.
【作者單位】： 上海音樂學(xué)院音樂學(xué)系;
【分類號】：J624.1
，

本文編號：1866849