發(fā)布時(shí)間：2018-05-08 08:29

  本文選題：蒙古國作曲家B.沙日布 + 民歌主題鋼琴曲　； 參考：《內(nèi)蒙古師范大學(xué)》2017年碩士論文

【摘要】：B.沙日布是蒙古國杰出作曲家之一,他的作品大多來源于蒙古國人民本真的生活,是蒙古國人民生活的寫照,深入蒙古國人民內(nèi)心。他在民族藝術(shù)繼承方面做出很多貢獻(xiàn),音樂創(chuàng)作形式和題材廣泛多樣。主要涉及音樂體裁有交響樂、歌劇音樂、舞劇音樂、電影配樂、鋼琴曲、器樂曲、歌曲等幾大類別。其中,大部分是具有民族化特征的作品。他創(chuàng)編的由民歌改編的鋼琴曲集,充分地展示了鋼琴作品民族化的音樂風(fēng)格特征。本文將深入探析B.沙日布民歌改編鋼琴曲集體現(xiàn)出的音樂特征和創(chuàng)作技法,以及民族元素在作品中的具體運(yùn)用。在這些作品中,每一首都展現(xiàn)了B.沙日布對于民族音樂元素的提取、運(yùn)用與發(fā)展,在保留民族風(fēng)格的基礎(chǔ)上進(jìn)行再創(chuàng)作,充滿民族民歌特色的創(chuàng)作技法和作品,是民族音樂發(fā)展的主流途徑。蒙古族的民歌是民族音樂的重要組成部分,是構(gòu)成世界音樂不可或缺的主要內(nèi)容之一。B.沙日布民歌主題鋼琴作品中主要特征體現(xiàn)在以下幾個(gè)方面:作品主要素材來源于民歌,具有民間音樂特征;大量滲透民族音樂元素;主要寫作形式表現(xiàn)為器樂化形態(tài);突出蒙古族特征性節(jié)奏。從作品主題來源看,分別采用內(nèi)蒙古和蒙古國兩個(gè)區(qū)域的民歌為基本材料進(jìn)行創(chuàng)作。取材多為蒙古族民歌中的短調(diào)、長調(diào),其創(chuàng)作手法獨(dú)特新穎富于創(chuàng)新。本篇論文共有四個(gè)部分構(gòu)成:第一部分引言闡述了論文的研究目的、研究內(nèi)容、研究方法和研究現(xiàn)狀。第二部分簡介B.沙日布的主要鋼琴作品及其交響音樂的創(chuàng)作;尤其是在鋼琴曲部分影響力,進(jìn)而歸納出他在音樂創(chuàng)作中所體現(xiàn)的創(chuàng)作技法和風(fēng)格特征。第三部分B.沙日布鋼琴作品的音樂特征。對多部作品進(jìn)行逐一分析,嘗試研究B.沙日布民歌鋼琴主題曲的民族化音樂特征的具體體現(xiàn)。第四部分本論文的重點(diǎn)章節(jié),主要闡述B.沙日布民歌鋼琴主題曲創(chuàng)作進(jìn)行中蒙古族元素的運(yùn)用和這部作品的現(xiàn)實(shí)意義及研究價(jià)值。至目前為止,對于B.沙日布民歌主題鋼琴曲作品分析和研究成果和材料甚少,在國內(nèi)筆者只找到一篇賀西格圖發(fā)表的文章——《蒙古國作曲家B.沙日布創(chuàng)作技法研究》,該篇文章僅對B.沙日布的音樂作品寫作技法進(jìn)行了探析研究。而本課題研究,是以B.沙日布民歌主題鋼琴作品中出現(xiàn)的具體音樂特征以及創(chuàng)作技法,進(jìn)行更全面的闡述和分析,試圖通過深入的研究分析作品,去努力深刻探析B.沙日布民歌主題鋼琴曲的民族化與世界化的藝術(shù)風(fēng)格,這便是本篇論文的創(chuàng)新之處。
[Abstract]:b. Sha Ribo is one of the outstanding composers of Mongolia. Most of his works come from the true life of the Mongolian people and are the portrayal of the life of the Mongolian people and go deep into the hearts of the Mongolian people. He made a lot of contributions to the inheritance of national art and made a wide variety of forms and subjects of music creation. It mainly involves symphonies, opera music, dance music, film music, piano music, instrumental music, songs and so on. Most of them are works with nationalization characteristics. His collection of piano songs adapted from folk songs fully demonstrates the nationalized musical style of piano works. This paper will probe into B. The music features and creative techniques embodied in the collection of piano songs adapted by Sha Ribu, as well as the concrete application of national elements in the works. In these works, each capital shows B. It is the mainstream way for the development of folk music to extract, apply and develop the elements of national music, to re-create on the basis of retaining the national style, and to create techniques and works full of the characteristics of national folk songs. Mongolian folk songs are an important part of national music and one of the indispensable contents of world music. The main features of the piano works of Sha Ribu's folk songs are as follows: the main materials of the works come from the folk songs and have the characteristics of folk music, a great deal of permeating the elements of national music, the main forms of writing are characterized by instrumental music; Highlight the Mongolian characteristic rhythm. From the source of the theme of the works, the two regions of Inner Mongolia and Mongolia are used to create folk songs as the basic materials. Most of the materials are short tune and long tone in Mongolian folk songs, and their creative techniques are unique and innovative. This paper consists of four parts: the first part introduces the research purpose, research content, research methods and research status. The second part is a brief introduction to B. Sha Ribo's main piano works and symphonies, especially in the piano music part of the influence, and then summed up his musical creation reflected in the creative techniques and style characteristics. Part three: B. The musical features of Shazibu's piano works. This paper analyzes several works one by one, and tries to study B. The concrete embodiment of the nationalized music characteristics of the piano theme song of Sha Ribu folk song. The fourth part of this paper focuses on the chapter, mainly expounds B. The application of Mongolian elements and the practical significance and research value of Sha Ribu's piano theme song. So far, for B. There are few achievements and materials in the analysis and research on the theme piano works of Sha Ribu folk songs. In China, the author only found an article published by Hesigtu-< Mongolian composer B. "A study of ShaRibu's Creative techniques." this article is only for B. Sha Ribu's writing technique of music works is analyzed and studied. And the research of this subject is based on B. The specific musical characteristics and creative techniques of the piano works on the theme of Sha Ribu's folk songs are expounded and analyzed in a more comprehensive way, which attempts to make a deep analysis of the works through in-depth research and analysis. The nationalization and cosmopolitan artistic style of the theme piano of Sha Ribu is the innovation of this paper.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J624.1

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