本文選題：威伯恩 + 協(xié)奏曲��； 參考：《西安音樂(lè)學(xué)院》2017年碩士論文

【摘要】：威伯恩作為20世紀(jì)最有影響力的作曲家代表人物之一,不僅在創(chuàng)新精神上給后來(lái)的作曲家以啟示,且在創(chuàng)作技術(shù)上為后來(lái)的作曲家提供了許多創(chuàng)作的可能性。本文將對(duì)其囊括了不少現(xiàn)代音樂(lè)創(chuàng)作技法的《協(xié)奏曲》OP.24從音樂(lè)音高組織結(jié)構(gòu)的角度進(jìn)行較為深入的分析。本文共分為四個(gè)章節(jié),第一章簡(jiǎn)述了威伯恩生平、創(chuàng)作分期以及《協(xié)奏曲》Op.24的創(chuàng)作概況與整體結(jié)構(gòu)概述;第二章從原型序列、序列材料的選取與分組、序列材料的陳述方式以及序列重疊音的角度對(duì)作品的序列進(jìn)行全面的分析;第三章為本文重點(diǎn),從音程、原型序列截?cái)�、和聲形態(tài)以及音樂(lè)截?cái)嗟确矫鎸?duì)作品音樂(lè)音高結(jié)構(gòu)進(jìn)行多維及全面的細(xì)致分析;第四章對(duì)作品三個(gè)樂(lè)章的節(jié)奏形態(tài)進(jìn)行分析及比較;最后對(duì)作品的序列、節(jié)奏及音高結(jié)構(gòu)特點(diǎn)以及創(chuàng)作思維進(jìn)行歸納總結(jié),希望通過(guò)本文的分析能為更多研究威伯恩的研究者們提供一些參考及借鑒。
[Abstract]:As one of the most influential representative composers in the 20th century, Wheeburn not only enlightens the later composers in the spirit of innovation, but also provides many possibilities for the later composers in terms of creative techniques. In this paper, OP.24, which includes a lot of modern music creation techniques, will be deeply analyzed from the angle of musical pitch organization structure. This paper is divided into four chapters. The first chapter gives a brief account of Waverburn's life, stages of creation, and the general situation and overall structure of Concerto, the second chapter describes the selection and grouping of the sequence materials from the prototype sequence. The presentation method of sequence material and the angle of sequence overlapping sound are analyzed comprehensively. Chapter three is the focus of this paper, which is truncated from interval and prototype sequence. In the aspects of harmony form and music truncation, this paper makes a multi-dimensional and comprehensive detailed analysis of the musical pitch structure of the works. Chapter four analyzes and compares the rhythmic forms of the three movements in the works. Finally, the sequence of the works is analyzed. The characteristics of rhythm and pitch structure as well as creative thinking are summarized and summarized. It is hoped that the analysis of this paper can provide some references for more researchers who study Waverburn.
【學(xué)位授予單位】：西安音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J614

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 鄭英烈;威伯恩的技法特征——兼論其繼承性及超前性[J];中國(guó)音樂(lè)學(xué);1990年02期

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本文編號(hào)：1857150