本文選題：聲音形態(tài) + 張力營構(gòu)��； 參考：《南京藝術(shù)學(xué)院學(xué)報(音樂與表演)》2017年02期

【摘要】：張力是一個物理學(xué)概念,20世紀(jì)被歐美的學(xué)者引入文藝?yán)碚摰膽?yīng)用中,聲音張力是張力概念在音樂理論領(lǐng)域的運用。本文將梳理聲音張力的概念來源,對聲音張力的具體內(nèi)容和特點進(jìn)行界定,再進(jìn)一步根據(jù)聲音張力的內(nèi)在動力和特點,分析中國古代琴樂理論都是從哪些方面對聲音張力進(jìn)行營構(gòu)。
[Abstract]:Tension is a physical concept which was introduced by European and American scholars into the application of literary theory in the 20th century. Sound tension is the application of the concept of tension in the field of music theory. This paper will comb the concept source of sound tension, define the specific content and characteristics of sound tension, and further according to the internal power and characteristics of sound tension, Analysis of the ancient Chinese piano music theory from what aspects of sound tension construction.
【作者單位】： 南京藝術(shù)學(xué)院音樂學(xué)院;
【分類號】：J632.31
，

本文編號：1856432