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《琴論》作者新考

發(fā)布時(shí)間:2018-05-06 17:01

  本文選題:謝莊 + 謝希逸 ; 參考:《中國(guó)音樂(lè)》2017年03期


【摘要】:謝希逸《琴論》最早見(jiàn)載于北宋郭茂倩《樂(lè)府詩(shī)集》,古今多以為謝希逸即劉宋謝莊,因而將題為謝希逸的著作均歸謝莊名下。早前劉大杰先生曾提出質(zhì)疑,但未被采納,F(xiàn)于琴學(xué)資料中找出謝希逸佚文一篇,并結(jié)合其余幾篇為研究者忽視的謝希逸作品,與歷代目錄書(shū)對(duì)照發(fā)現(xiàn)署名謝希逸的琴書(shū)晚至宋代才出現(xiàn),且書(shū)中多涉唐宋琴事,與謝莊身世不符。從而證實(shí)謝希逸真有其人,歷代文學(xué)史、琴史及目錄所載《琴論》等作者劉宋謝莊當(dāng)為宋人謝希逸。
[Abstract]:Xie Xiyi's Qin Theory was first found in Guo Maoqian's Book of songs of Yuefu in the Northern Song Dynasty, and Xie Xiyi was regarded as Xie Xiezhuang in ancient and modern times, so the works entitled Xie Xiyi were owned by Xie Zhuang. Earlier, Mr Liu Dajie had questioned, but was not accepted. Now we find out one piece of Xie Xiyi's lost article in the literature of piano science, and combine the other works of Xie Xiyi, which are neglected by the researchers, and find that the Qin book signed by Xie Xiyi didn't appear until the Song Dynasty, and it is more concerned with the Qin in Tang and Song dynasties. It doesn't match the experience of Xie Zhuang. It is proved that Xie Xieyi is a native of Song Dynasty. The author Liu Song Xiezhuang is Xie Xiyi of Song Dynasty in the history of literature, the history of Qin and the catalogue.
【作者單位】: 浙江大學(xué);
【基金】:浙江省哲學(xué)社會(huì)科學(xué)規(guī)劃立項(xiàng)課題《宋代以來(lái)琴派研究》(項(xiàng)目編號(hào):13JDSX01YB)階段性成果
【分類號(hào)】:J609.2


本文編號(hào):1853125

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