本文選題：鳳翔村 + 喪葬儀式��； 參考：《大理大學(xué)》2017年碩士論文

【摘要】：洱源是云南省大理白族自治州的一個縣,位居大理北部,洱海的源頭,故名洱源,是一個以白族為主的縣。鳳翔,位居洱源縣西北部的鳳羽鎮(zhèn),地處鳳羽壩子中西部,豐富多彩的歌舞音樂活動和具有地域特色的民俗儀式,集中反映出洱源鳳羽的風(fēng)土人情,其中鳳翔村的喪葬儀式作為人生禮儀中的一個重要階段,一直備受當(dāng)?shù)厝说闹匾?它是人們在長期生活中所形成的一種具有文化和歷史特征的傳統(tǒng)習(xí)俗。嗩吶吹奏、洞經(jīng)音樂、板凳戲等音樂與當(dāng)?shù)貑试醿x式的結(jié)合,使其成為當(dāng)?shù)貑试嵛幕囊粋�重要組成部分。從喪葬儀式可以看到音樂在整個儀式文化活動中所起到的作用,從喪葬儀式音樂可以認(rèn)識到當(dāng)?shù)卮迕竦膬r值觀和生死觀。本文一共分為四章,第一章通過翻閱文獻資料以及對當(dāng)?shù)厝嗣竦牟稍L對鳳翔村的民俗文化以及喪葬儀式音樂文化脈絡(luò)進行梳理。第二章以一個具體的個案去展現(xiàn)鳳翔村現(xiàn)有喪葬儀式的實況,并結(jié)合對儀式參與人員和旁觀者的訪談,對儀式的意義進行思考。第三章結(jié)合第二章的現(xiàn)象描述對喪葬儀式音樂進行分析,并繪制儀式與音樂以及儀式音樂與人的關(guān)系圖表,直觀的展示出儀式音樂中所隱藏的人與人之間、人與鬼神之間、人與自然之間的聯(lián)系。綜合前三章遞進式的整理與分析,第四章以鳳翔村喪葬儀式音樂文化的田野調(diào)查為基礎(chǔ),從民族音樂學(xué)、藝術(shù)人類學(xué)、藝術(shù)學(xué)的視角對鳳翔村喪葬儀式音樂的音樂風(fēng)格進行總結(jié),探究鳳翔村白族喪葬儀式音樂的文化背景,即喪葬儀式音樂中的宗教性因素以及文化功能。
[Abstract]:Eryuan is a county in Dali Bai Autonomous Prefecture of Yunnan Province, which is located in the north of Dali, the source of Erhai Lake. Fengxiang, a town of Fengyu in the northwest of Eryuan County, is located in the central and western parts of Fengyu Dam. The rich and colorful music activities and folk rituals with regional characteristics reflect the local customs and customs of Fengyu in Eryuan. The funeral ceremony of Fengxiang Village, as an important stage of life etiquette, has been attached great importance to by the local people. It is a traditional custom with cultural and historical characteristics formed in the long-term life. The combination of suona, classical music, bench play and local funeral ceremony makes it an important part of the local funeral culture. From the funeral ceremony, we can see the role of music in the whole ritual cultural activities, from the funeral ceremony music can realize the local villagers' values and outlook on life and death. This paper is divided into four chapters. The first chapter combs the folk culture and funeral ceremony music culture of Fengxiang Village by reading the literature and interviewing the local people. The second chapter presents the actual situation of the present funeral ceremony in Fengxiang Village by a specific case, and combines the interviews with the participants and bystanders to think about the significance of the ceremony. The third chapter combines the phenomenon description of the second chapter to analyze the funeral ceremony music, and draw the ritual and music and ritual music and the relationship between people chart, intuitively show the hidden in ritual music between people and people, between people and ghosts. The connection between man and nature. The fourth chapter is based on the fieldwork of Funeral ceremony Music Culture in Fengxiang Village, from ethnomusicology, art anthropology, From the perspective of art, this paper summarizes the music style of funeral ceremony music in Fengxiang village, and probes into the cultural background of Bai nationality funeral ceremony music in Fengxiang village, that is, the religious factors and cultural functions in funeral ceremony music.
【學(xué)位授予單位】：大理大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J607

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本文編號：1849137