本文選題：平湖派 + 琵琶　； 參考：《交響(西安音樂學(xué)院學(xué)報(bào))》2016年01期

【摘要】：平湖派琵琶是我國(guó)著名的琵琶流派之一,為我國(guó)琵琶藝術(shù)的發(fā)展做出過重要貢獻(xiàn),對(duì)近代中國(guó)琵琶藝術(shù)有著巨大影響。三十余年來,學(xué)界對(duì)平湖派的傳承與發(fā)展進(jìn)行了較為深入、持續(xù)的研究,有力推動(dòng)了琵琶藝術(shù)的發(fā)展。通過系統(tǒng)全面地回顧這些成果并加以綜合分析,厘清其研究脈絡(luò),認(rèn)真地反思研究中的不足與缺憾,將有助于對(duì)平湖派這一傳統(tǒng)的民族音樂遺產(chǎn)的深入探討,促進(jìn)傳統(tǒng)文化的傳承與發(fā)展。
[Abstract]:Pinghu School is one of the famous pipa schools in China, which has made important contributions to the development of pipa art in China and has a great influence on the art of pipa in modern China. For more than 30 years, the academic circles have carried on comparatively deep and continuous research on the inheritance and development of Pinghu School, which has promoted the development of pipa art. Through a systematic and comprehensive review of these achievements and comprehensive analysis, to clarify their research context, to seriously reflect on the shortcomings and shortcomings of the study, will contribute to the in-depth exploration of Pinghu School, a traditional folk music heritage, To promote the inheritance and development of traditional culture.
【作者單位】： 西安音樂學(xué)院;
【分類號(hào)】：J632.33

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本文編號(hào)：1845845