本文選題：樂器始源 + 樂鐘自鳴��； 參考：《音樂創(chuàng)作》2017年04期

【摘要】：有關(guān)漢族本土樂器神奇異象的記載中大量出現(xiàn)在文獻(xiàn)典籍中,具有其獨特的文化符號含義。本文通過對文獻(xiàn)資料的梳理與總結(jié),將這類記載進(jìn)一步細(xì)分為附會先圣、鬼神傳說、樂器自鳴等多個方面,并運用音樂聲學(xué)與社會學(xué)原理對這類記載的信史程度展開研究,從而探討時人在記述與樂器相關(guān)的音樂實踐時大量涉及神奇異象的可能性原因,分析樂器異象有關(guān)的特殊記載與生產(chǎn)力、樂器始源及社會文化間的關(guān)系,從而強(qiáng)調(diào)漢族本土樂器在中國傳統(tǒng)音樂文化中的特殊地位。
[Abstract]:The records of the magic vision of the native musical instruments of Han nationality appear in many documents and books, and have their unique cultural symbol meaning. By combing and summarizing the literature, this paper further subdivides this kind of records into several aspects, such as the sacred of the attached meeting, the legends of ghosts and gods, the musical instrument singing, and so on, and studies the degree of the historical history of this kind of records by using the principles of musicology and sociology. In order to explore the possible reasons why people are involved in a large number of magical anomalies in recording musical instruments related to musical practice, and to analyze the relationship between the special records and productivity of musical instrument anomalies, the origin of musical instruments and the social and cultural relations, Thus emphasizing the special position of the native musical instruments of Han nationality in Chinese traditional music culture.
【作者單位】： 武漢音樂學(xué)院;
【分類號】：J632;I206.2
，

本文編號：1843780